A Quote by Brett Dennen
I used to want to be fully observational, but I'm just not that kind of writer. My process always changes depending on how, when, and where inspiration stiles me.
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I used to want to be a war photographer, and I used to want to be a ballerina and a comedian. I used to want to be a writer. I invalidated myself; it’s a mistake for me. [...] There’s just a lot of stuff that really moves me, and I don’t know how to express it, and I just want to try to do the best I can and surround myself with good people who don’t invalidate me.
I've always seen process of crafting as part of the thinking process. It really forms the gestation of the work. I'll get an idea; I want to express this idea, sometimes I'll start it, but during the process of making the object - if it's an object or a painting - it changes. It never goes in a linear progression from A to Zed. It's always this kind of circuitous, stumbling, groping in the dark kind of process of evolving.
For me, I feel like I've always driven the same, it's just depending on what situation that I'm in, depending on what I want to do. So, I'll always race hard.
I'm still getting used to everything. It still makes me a little emotional, just to see how quickly everything kind of changes - that it changes so fast.
Pain is part of how I get inspiration and part of how I gain wisdom on life. I guess the point I'm trying to make is that I don't transform it, I just let it be. I kind of let it move through me, let it consume me and I let it take me over and hurt me, and I let it go away when it's ready to go away and I understand that it's just part of the process.
I'm such a product of my media diet... it's interesting that you say what I do is observational. It's observational as far as it goes - to the extent that I observe media closely. Kriota might have a better sense of this. I don't always have the best sense of how human nature works, but I certainly know how to dismantle representations of characters.
Inspiration is never genuine if it is known as inspiration at the time. True inspiration always steals on a person; its importance not being fully recognized for some time.
There are so many people pulling at me at one time - some want the business, some want my love, some just want my support, just to be there or to acknowledge them the same way I used to. To be able to figure that out is an ongoing process, because there's always another show, another album, another moment that I don't want to miss. But I'm pacing myself. I hope the powers that be keep me on a straight course.
I used to want to be a war photographer, and I used to want to be a ballerina and a comedian. I used to want to be a writer. I invalidated myself; it's a mistake for me.
I never sought to be a pundit, or on TV, or a writer-it just kind of came to me. If you just keep doing what you want to do, you wind up doing precisely what you want to be doing. Don't resist how life bats you around.
It's always different, depending on the writer and the director. A collaborator like Graham Reznick delivers a fully finished piece, perfected in every way. Other writers direct the recording session and then leave quite a bit of the work to us.
I've got to work with people who have had really fantastic careers and who are still lovely people to be around. So, I suppose that's kind of a big inspiration for me - to work for as long as possible but to continue to enjoy it. I want to be a part of the process, rather than just wanting the rewards.
Television's very much a writer's medium, as it probably should be, but if you're not the writer, then as the performer, you defer to that. It's just kind of how it's constructed. Is there some leeway? Yeah. But I also don't want to come across as a jerk.
We usually evaluate creative process in terms of how much feeling or thinking was behind the work or how well the work was done. Isn't there any other way of appreciating the process? What if the standard of excellence was how fully present the artist was during the process?
Any writer takes inspiration from what they read and watch, and over their career works on forming their own voice. I think it was probably Stephen King who made me want to become a writer.
Those titles, Executive Producer or actor, are unimportant. I always try to approach my role as an artist. The first thing you want to do, that you attempt to do as an artist, is to have some sort of input into the material that you are working on. That is how my process begins; I say to myself: "I want to do this kind of work or I want to do that kind of work."
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