A Quote by Brett Young

I knew I would always be an artist, but when you move to Nashville, this is a writer's town. I moved here to focus on that and started pitching demos and immediately was asked to be an artist.
This image of wanting to be an artist - that I would in some way become an artist -was very strong. I knew for a long, long time that that's what I would be. But nothing I ever did seemed to bring me any nearer to the condition of being an artist. And I didn't know how to do it.
The trouble with science fiction is that you can write about everything: time, space, all the future, all the past, all of the universe, any kind of creature imaginable. That's too big. It provides no focus for the artist. An artist needs, in order to function, some narrowing of focus. Usually, in the history of art, the narrower the focus in which the artist is forced to work, the greater the art.
I started out as an artist, but I've always wanted to be a writer and producer.
So every artist and would-be artist makes this same phrase: 'I knew, I never got it said.
I always wanted to be an artist, writer and poet since I was seven, and one has to live long enough to evolve as an artist and do one's finest work.
When I taught art, I was always asked, 'How do you know you're an artist? What makes you an artist?' And to me, it's like breathing. You don't question if you breathe; you have to breathe. So if you wake up in the morning, and you have to realize an idea, and there's another idea, and another, maybe you are really an artist.
From the beginning, I always felt artistically inclined. I always knew I wanted to be an artist of some sort, even if I didn't know what an artist was. I clung to the arts. I always watched 'High School Musical' and those type of things.
It used to be that labels would spend two or three or four albums developing a new artist before they threw in the towel and moved on, which kind of gave the artist an opportunity to grow.
There is the intent of the writer and the interpretation by the artist. What the writer intended and what the artist interprets is not a 1-to-1 translation. It's a crossing of ideas that generates the stories that you see in print.
Maybe I'd be a storyboard artist. Graphic novel/comic book artist. Backup dancer. Singer. It would be cool to focus on one of these full time. But I like seeing them all intertwine.
I pay tribute to the writing always. The writer is a creative artist and the director is an interpretive artist and the actors are interpretive. You take zero and make it into something, that's always amazing to me.
When I started, I was an artist; I wanted to be an artist. I became an actor almost by accident. I acted for fifteen years and tried to produce. I looked for stories that were the story beneath the story that you thought you knew, like 'The Candidate'.
I would hate to be a new artist or writer in town today. But somehow the cream continues to rise. If there's one who's great, he just jumps out of the pack like you can't believe.
I would advise puppeteering for any artist. It's a way to break down pretensions. It's a sculpture that can talk. It's a painting that can talk. And it's pure play. I think every artist needs to stay in touch with the idea of playing. The artist should always be playing, always. All art is performance.
You are born an artist or you are not. And you stay an artist, dear, even if your voice is less of a fireworks. The artist is always there.
I always knew would be some sort of artist, but didn't know what.
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