A Quote by Brett Young

The first country song I ever heard was Tim McGraw's 'Don't Take the Girl.' — © Brett Young
The first country song I ever heard was Tim McGraw's 'Don't Take the Girl.'
Probably the first artist who really captured me was Tim McGraw. His songs 'Don't Take the Girl' and 'Indian Outlaw' were fun, and he was different than a lot of artists.
My first big show was with Tim McGraw and Mark Chesnutt, and that was overwhelming. There was probably 25,000 people there. I was nervous, (but it) was exhilarating.
'Girl In A Country Song' is basically a song about what it's like to be the girl in modern day country songs and how hard it is to be this perfect Barbie doll girl that we are portrayed as.
I think I've been influenced by everything I've ever heard. The first thing I ever heard was my grandma, who was an opera singer. The first song I ever learned was the 'Nessun Dorma' from Puccini's 'Turandot.' My father was a big band singer, so I used to hear him walking around the house singing standards all the time.
I remember driving the tractor on our farm, and Tim McGraw would be on the radio. I'd find myself walking out of class, singing his songs. And then Tim ended up playing my father in 'Friday Night Lights.' It was surreal.
I totally think there was a country hair phase. If you look at all the mullets, and Dolly Parton, and Reba's hair, Tim McGraw's hair, Blake Shelton's hair, they definitely had their moments.
Some artists will tell you that's all they want to do is write their own music, and that's great, but George Strait, Kenny Chesney, Tim McGraw, Garth Brooks, they didn't write everything they recorded, and they've had major, major careers. I think it's all about the best song.
For me, 'I Am Woman' is all about transition. I turned 21 in December, so I'm not completely grown up yet but I'm not a little girl anymore. Just in that in-between stage. The song is everything I have ever heard a woman say. I loved this song for me and every young lady, girl and woman to be able to feel empowered in being female.
When I first heard that song, it was a ballad but it had a lot more. It felt like a gospel song when I first heard it and it just moved me.
This never happens, but I was writing with my friend Ryan Hurd and Eric Arjes, and we wrote this song called 'Last Turn Home.' The next day, my publisher emailed it to Tim McGraw's label. He listened to it, and I think within the week, he went into the studio and recorded it. And that never happens.
How do I love Tim McGraw? Let me count the ways: I love that he's a country boy with a city sensibility. I love that he refuses to be pegged, and his duet with Nelly proves it. And I really love that he had the brains to marry Faith Hill.
When I heard 'Jesus, Take the Wheel,' I was like, OK. Some people look at it as a song written for an American Idol, Carrie Underwood, who is wonderful. But when you're a songwriter listening to a song, you hear something else. I heard that song, and wow.
I heard Pete Seeger records when I was a kid. I saw Bob Dylan when I was about 12. The first song I ever learned to play was a song by Phil Ochs.
We've done shows with Tim McGraw, Hank Williams Jr., Montgomery Gentry, Shooter Jennings.
I'd like to do something with Michael Buble, Harry Connick Jr., Tim McGraw, Justin Timberlake, and Gwen Stefani.
I'm a big fan of Snoop Dogg - he was super-hot when I was in high school - but I also listen to a lot of Tim McGraw.
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