A Quote by Brie Larson
I made three or four different fonts during 'Short Term 12' -' it was how I'd calm my mind between scenes. I have graph paper and gel pens, and I would do the alphabet: just do 'a' over and over again until I got it perfect and then go to 'b' and then 'c'.
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Usually I'll drive to certain locations over and over again, over a course of months really. And then it might just be I hit it at the right time, and the right light. And then I might go to that location over and over again, and then what happens in that lag time where - the image sort of locks in - all of a sudden I see it in my mind's eye.
If I'm really considering doing film from now on then that is the smart thing to do, or you can go either way. You can just do the same character over and over again and make a different comedy like over and over again.
Tomorrow it'll all be over, then I'll have to go back to selling pens again.
'Lonesome Dove' was the movie. I watched that over and over and over again, and I know every line. It was one that I loved as a kid for all the horses and characters that went over my head, but then the older I got, I realized how amazing it was on so many other different levels - Robert Duvall and Tommy Lee Jones' relationship.
It's like aversion therapy. You keep doing scenes over and over again with three women in the bed with you, and we had to do them all in one week. Three girls would step out and another three girls would step into the bed. It sounds like a fantasy but by the end of it, I just wanted to go for a hike on my own in the north of England, in the hills. Because it became a sort of "be careful what you wish for" kinda thing.
It's a stage with four lights clamped to it with walls made out of plywood. And then my name's in the center. It's the type of thing that can be made over and over again. It's not like a Michelangelo sculpture.
You land Saturday to get to the live event, I go right to the gym, work out, then we have to be at the venue at 5 P.M. for a 7:30 P.M. show. Then you drive to the next city which might be three or four hours away and you do it all over again.
I met with a bad bout after the trial was over, and while the trial was on I habit of stopping by the liquor store and buying a bottle of wine every night. Just to forget the days courtroom proceedings. Then the next morning I'd get up, go to court again and do it all over again. Well, by 1985, I was a fall down, low bottom drunk. An alcoholic. And in 1989, I finally got sober. And I found the rooms of a 12 Step Recovery Program. And I diligently worked those 12 Steps, and I have changed my life dramatically. I'm happily married. I converted to Christianity.
My father left us three times when I was between three and six. You just couldn't tell - suddenly one day he would leave and then maybe he would come back after six months without telling you why. And then maybe he would disappear again after a year and it's very difficult to take when you are four or five. You just don't know how to handle it and nobody in the family wants to talk about it. My mother didn't know how to tell us and she needed to work because we needed money to live.
I realized I had it made because you don't have to destroy anything to get honey. You can just use the same things over and over again, put it in a quart canning jar, and you've got $12.
Ever bike? Now that's something that makes life worth living!... Oh, to just grip your handlebars and lay down to it, and go ripping and tearing through streets and road, over railroad tracks and bridges, threading crowds, avoiding collisions, at twenty miles or more an hour, and wondering all the time when you're going to smash up. Well, now, that's something! And then go home again after three hours of it... and then to think that tomorrow I can do it all over again!
I just know of so many musicians who burn out because they go on tour and they have to play their one-hit song over and over and over and over again. And they are not moved by their own song. And then when you go and see them perform there's something off.
What I do is work for three or four years and then I take a year off, and then I come back again and work for three or four years and then take another year off. It is not about just working and then writing for a year. That is not how it is structured. It is about doing very conscious goal-driven activities for four years and then taking a year off in complete surrender to discover facets of myself that I don't know exist and exploring interests with no commercial value associated with them at all.
My self-image it still isn't that alright. No matter how famous I am, no matter how many people go to see my movies, I still have the idea that I'm that pale no-hoper that I used to be. A pale no-hoper that happens to be a little lucky now. Tomorrow it'll be all over, then I'll have to go back to selling pens again.
How happily, said Austerlitz, have I sat over a book in the deepening twilight until I could no longer make out the words and my mind began to wander, and how secure have I felt seated at the desk in my house in the dark night, just watching the tip of my pencil in the lamplight following its shadow, as if of its own accord and with perfect fidelity, while that shadow moved regularly from left to right, line by line, over the ruled paper.
For a longer nail look, I get a gel manicure. They grow with the gel polish, and then I keep going until I want my natural, short nails back with the regular polish.
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