A Quote by Brie Larson
For me, 'Room' is an opportunity to relive an aspect of my childhood that I hadn't put a ton of thought into.
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Strangely enough, for many many years I didn't talk about my childhood and then when I did I got a ton of mail - literally within a year I got a couple of thousand letters from people who'd had a worse childhood, a similar childhood, a less-bad childhood, and the question that was most often posed to me in those letters was: how did you get past the trauma of being raised by a violent alcoholic?
Just under the surface I shall be, all together at first, then separate and drift, through all the earth and perhaps in the end through a cliff into the sea, something of me. A ton of worms in an acre, that is a wonderful thought, a ton of worms, I believe it.
There were some things in my childhood I thought we'd put to sleep. The idea of one race's supremacy over another. I thought the issue of colour would be put to sleep by the time I had a son. And that's maybe why I had a kid so late.
Yes, I used to miss my childhood, but I did get a chance to relive it through Esha and Ahaana.
To develop your own voice, you have to keep writing a ton, and this is something where I think Twitter is helpful. I use it to write a ton of jokes. You have to write a ton of bad stuff before you know what you're good at. And that's what some people I think have trouble with, the thought of getting past the bad stuff.
When we raise our children, we relive our childhood. Forgotten memories, painful and pleasurable, rise to the surface.... So each of us thinks, almost daily, of how our own childhood compares with our children's, and of what our children's future will hold.
To me, still my favorite 3D film is 'Dial M for Murder.' I thought that was great. Hitchcock used it, could put you in the room, which I thought was fantastic, but I'm still not a devotee of 3D.
If you believe, as we believe, that diversity leads to better products, and we're all about making products that enrich people's lives, then you obviously put a ton of energy behind diversity the same way you would put a ton of energy behind anything else that is truly important.
In high school, I got into a speech class run by a nun who used to put on plays. She put me in a oratorical competitive program. You would tell a story, and they were very corny, something like 'My Childhood Hero.' It was something out of 'Readers Digest.' I always thought it was too much and too dramatic.
Any time we have the opportunity to play in a more intimate room, there's such a huge aspect of our set just built for that. And beyond that, we just love being that close to our fans.
There's this kind of incredibly mistaken idea that because it's so much cheaper to roll the camera than it used to be and it's so much easier to accumulate a ton of footage, that then you can just go shoot a ton of footage and the editor will make sense out of it. But if you don't have something deliberate made, you're not gonna save it in the editing room.
For me, the motivation really was to work with Al Pacino. To me, that seemed like an incredible opportunity, just a learning opportunity because I thought so highly of him.
When you realize that the uncut 'Porgy and Bess' started me off, that I'd have the opportunity to do a ton of 'Stoppard,' 'Hairspray,' that I'm able to do 'Il Trittico' at the Met - how do I top that?
An opportunity to work is good luck for me. I put my soul into it. Each such opportunity opens the gates for the next one.
I have that typical girly aspect to me and those domestic ideals. When I cook in my kitchen it's like playing a game because it's not real for me; room service is.
Well my favorite thing about being a mom is getting to relive your childhood all over again, that's one of my favorite things. And my favorite thing about being a wife? I have more freedom to just be crazy, because he's already stuck with me.
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