A Quote by Bridgit Mendler
I did this one scene in an episode of 'General Hospital', and that was my first job down in L.A. It was, like, my second audition, and I was like, 'Woo! This is easy! This is fun!' That was a really cool moment for me.
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There was one female role, which was Emily. When I did the audition, I flubbed up. It was my first audition back from Christmas break, and I flubbed up and was devastated. In the audition room, they were like, "Oh, you did great!," but you never really know. So, I left the audition in tears.
We do want the freedom to move scenes from episode to episode to episode. And we do want the freedom to move writing from episode to episode to episode, because as it starts to come in and as you start to look at it as a five-hour movie just like you would in a two-hour movie, move a scene from the first 30 minutes to maybe 50 minutes in. In a streaming series, you would now be in a different episode. It's so complicated, and we're so still using the rules that were built for episodic television that we're really trying to figure it out.
When you did the job, you thought you were just trying to amuse your friends who are all on the job. I'm just trying to make the sound guy laugh, the script supervisor. A movie like Caddyshack, I can walk on a golf course and some guy will be screaming entire scenes at me and expecting me to do it word for word with him. It's like, 'Fella, I did that once. I improvised that scene. I don't remember how it goes'. But I'm charmed by it. I'm not like, 'Hey, knock it off'. It's kind of cool.
My mother and my great-aunt told me stories, like how when my grandfather first met my grandmother at a party, he noticed her long legs and was like, 'Woo woo!' I like to incorporate those stories into my music. They just seem to fit.
I did an episode of 'Entourage.' I played Morgan - I think it was season three or season four. It was actually my third audition, and it was my first big job.
My first professional audition was for a radio play in Manchester. That was the first audition that I got. It was my first paid job, which I think was, like, £150, and I thought it was megabucks.
It never mattered to me that people in school didn't think that country music was cool, and they made fun of me for it - though it did matter to me that I was not wearing the clothes that everybody was wearing at that moment. But at some point, I was just like, 'I like wearing sundresses and cowboy boots.'
My mum sent me to an open audition for 'Notes On A Scandal' so I could see quite how many other girls wanted to do this. And I queued up, and I got the job. That was my first-ever audition, and my second was 'Atonement.'
You're always kind of having to 'make it' over and over again, which is cool and makes it fun. But I remember thinking, when I first did it, I was like, 'Cool. I made it. It happened.' And I did not. That's not how it works.
If you do a scene and you really like a character in it or a premise in it to write it down and to work on it so that you can have five or six characters that you can pull out in an audition.
If you say, "Woo, woo, woo!" to me, I'll say it back. I love it. "Woo, woo, woo" is something that my character used to say. It's something that my mother used to say to my brother and me when we were kids. When words would fail her, she'd just go, "Oh, woo, woo, woo." It's compassion. It's a combination of "I see you, I feel you, I acknowledge you, I got your back."
My first job with a network was General Hospital, and that was ABC. I feel like I have so much history with them, that they treat their shows well and they have good, discerning taste.
My first job with a network was 'General Hospital,' and that was ABC. I feel like I have so much history with them, that they treat their shows well and they have good, discerning taste.
To me, every episode is like a song, and every season is like an album. There's that part of the day when you first get the idea and you say, "This could be really funny." And you sit down and you write it. There's just something that happens there that doesn't happen when you really give it a lot of time beforehand.
I would drive down in my Volkswagen Jetta to Los Angeles and just audition, audition, audition, audition, and hopefully get something. I did that for two years, and the third year I came down, I auditioned for 'How I Met Your Mother.'
I went in for an audition [for As Good As It Gets], but the audition was with James L. Brooks. I was the first girl in that morning, and there was a whole waiting room of girls waiting to read for it. So I did my audition, and he asked me to step outside. So I stepped outside, and when he asked me to come back in, he looked at me, and he said, "Well, I'm very excited to work with you on set." And I was, like, "What?" I thought it was a Hollywood blow-off.
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