A Quote by Bridget Riley
It was only after I had been out of the art school that I actually copied a small Seurat, and I copied it in order to follow his thought, because if you do copy an artist, and you have a close feeling for him, in fact that you need to know more about his work, there is no better way than actually to copy, because you get very close indeed to how somebody thinks.
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With the schedule I created for myself, I saw a lot of times that others copied what I did. And if you copy somebody, you are always too late. And that was always my luck, that I never copied somebody, that I developed something new. And they were always one step behind.
They copied all they could copy, But they couldn't copy my mind; And I left them sweatin' and stealin', A year and a half behind.
A lot of times when people get copied, they get copied and washed out. But you can't even duplicate how we do it because it's just so genuine. It's just us.
I wasn't always smart, I was actually very stupid in school [T]here was a boy who was very attractive who was even stupider than I was. And in order to ingratiate myself with this boy who was very beautiful, I began to do his homework for him – and that's how I became smart, I had to do all this work to just keep ahead of him a little bit, in order to help him. In a sense, all the rest of my life I've been trying to do intellectual things that would attract beautiful boys.
The power of a text when it is read is different from the power it has when it is copied out. Only the copied text thus commands the soul of him who is occupied with it, whereas the mere reader never discovers the new aspects of his inner self that are opened by the text, that road cut through the interior jungle forever closing behind it: because the reader follows the movement of his mind in the free flight of day-dreaming, whereas the copier submits it to command.
I want to help you," Oliver said. "Why?" Galen looked up at him. "Because of Petunia?" Oliver was relieved that the prince didn't seem to be skeptical about his conviction. He simply looked like he wanted to know, and so did Heinrich, when Oliver dared to look at the other prince. Oliver was very aware that Heinrich had known his father. Had known him better than Oliver had, in fact. "Because of her," Oliver said at last. "Even though I have only met her twice, really...I just..." "I risked my life to save Rose after only speaking with her twice," Galen said with a small smile.
When we look at investing, we always think about 'how defensible is this, how likely is it that somebody is going to copy this.' E-commerce tends to be something easy to copy because it's execution.
We were great mates [with Rajiv Gandhi]: very, very, very close friends. In fact, on my visit to India as Prime Minister, we were going to his home for dinner. There were two aspects I remember: one is him saying how he had trouble with his security people, because they insisted he wears a vest. He said it was very uncomfortable and he often took it off, but of course, in the end, it wouldn't have mattered if he'd been wearing three vests - he would have been gone.
I go to a Calvary Chapel church out here in Los Angeles. I had been here about two years at the time. I'm very close with my church, very close with the pastor and his wife, and I work with a girls' ministry here.
I need no master to punish me in order to behave as I ought. If I did, I would be no more than a child who obeys his father's rules only because he fears the whip, and not because he actually means good.
The theme of counterfeits, of those that produce and sell them, has always been part of the culture of M.I.A. When I was contacted by Versace, it seemed a great idea to invert the circle. Versace's designs have always been copied; now it's Versace that copies the copies, so those that copy must copy the copies. So this will continue.
When the artist is truly the servant of the work, the work is better than the artist; Shakespeare knew how to listen to his work, and so he often wrote better than he could write; Bach composed more deeply, more truly than he knew, Rembrandt's brush put more of the human spirit on canvas than Rembrandt could comprehend. When the work takes over, then the artist is enabled to get out of the way, not to interfere. When the work takes over, then the artist listens.
If you actually do cold readings, it's very close to how people actually talk, because you're experiencing these thoughts anew every moment, and trying to make them come out coherently.
I know Donald Trump quite well. We've never shared values, he and I. But I respected his ability to turn it around. So I respect somebody who can turn things around and be successful. I think the president's communication style is the most difficult thing because he actually does care, people who know him know he cares. But his style of communication, his combative approach, the elements of ego that are obviously there in all of us but seem to be more easy to see in the president sometimes than other people, get in the way of his capacity to lead, unfortunately.
I have a profound admiration for Fellini. I met him lately and he's just fantastic. I feel very close to him even though he's very Italian. But his films could have been made in every country. When I say, I feel close to him, then also because we're both born on January 20th.
It’s about a singer who first sneered about my allegedly not authentic style but later she stole and copied it. And now she’s acting like I am the art project and she the true super artist. My God and people actually believe her, she’s successful! I shouldn't continue ranting, it doesn’t get anywhere.
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