A Quote by Brit Marling

Because we're watching so many movies and are consumed by so many stories, science fiction lets you do something a bit fresh and that hasn't been seen before. — © Brit Marling
Because we're watching so many movies and are consumed by so many stories, science fiction lets you do something a bit fresh and that hasn't been seen before.
There's always been a little bit of tension between the writers of science fiction literature and then science-fiction televised shows or movies, partly because they have a different dynamic.
The truth is that Trout, like Vonnegut and Ray Bradbury and many others, writes parables. These are set in frames which have become called, for no good reason, science fiction. A better generic term would be 'future fairy tales'. And even this is objectionable, since many science fiction stories take place in the present or the past, far and near.
Blade Runner is one of my favorite films. But, so many thing influenced me that aren't science fiction because they were just good drama. I grew up watching a lot of French cinema. I was in love with The English Patient, and movies that are very romantic in nature and have a positive message. That's a large part of my fingerprint.
I started submitting stories for publication when I was about 15, but it was many years before I sold anything. I don't make my living writing science fiction, so in that sense, I'm still not a pro.
Science fiction, as I mentioned before, writes about what is neither impossible nor possible; the fact is that, when the question of possibility comes up in science fiction, the author can only reply that nobody knows. We haven't been there yet. We haven't discovered that yet. Science fiction hasn't happened.
Since 1977, there have been many science fiction movies, but none has managed to equal [A New Hope's] blend of adventure, likable characters, and epic storytelling.
Bradbury was the one guy who was published in places like the 'Saturday Evening Post.' He was the guy who brought science fiction to the masses. If he hadn't existed, science fiction would have been a well-kept secret in literature instead of a widely consumed phenomenon.
I had decided after 'Hollow Man' to stay away from science fiction. I felt I had done so much science fiction. Four of the six movies I made in Hollywood are science-fiction oriented, and even 'Basic Instinct' is kind of science fiction.
Many of the top-grossing movies of all time are science fiction.
If we're talking about the science fiction or action genres, I've always tried when I could to do them in a way that's not just cookie-cutter - that they bring something fresh or original to it, have some kind of ideas to it. I've been fortunate, in some sense, to do those kinds of movies that are unique.
I tried to get the word out to people who are information hubs in their communities, because they could propagate the call quickly. One challenge is that breaking science fiction means, well, breaking science fiction. Many communities of colour have a different approach to narratives of science.
There are so many stories to tell in the worlds of science fiction, the worlds of fantasy and horror that to confine yourself to even doing historical revisionist fiction, whatever you want to call it - mash-ups, gimmick lit, absurdist fiction - I don't know if I want to do that anymore.
I'm half-black, half-white, so I basically put it like this: I can fit in anywhere. That's why I write so many stories from so many different perspectives, because I've seen so many.
When I look back at many of the moments of wonder, awe, or terror that I've got from science fiction, it's often been because I've been put in the head of one of the characters.
Many science-fiction writers, such as Gregory Benford, are working scientists. Many others, such as Joe Haldeman, have advanced degrees in science. Others, like me, have backgrounds in science and technology journalism.
Many of the early greats of sf ? Hugo Gernsback (publisher of Amazing Stories) in particular ? saw themselves as educators. The didactic thrust of science fiction got the genre initially pegged as children's fare. It was seen, at its best, as an extension of school and, at its worst, as teenage wish fulfillment.
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