A Quote by Brittany Howard

When I picture England, I picture little gardens and beautiful yards. I don't really like cities; I like to go and see things like that. — © Brittany Howard
When I picture England, I picture little gardens and beautiful yards. I don't really like cities; I like to go and see things like that.
Nine years old, I became the victim of war. I didn't like that picture at all. I felt like, why he took my picture, when I was agony, naked, so ugly? I wished that picture wasn't taken.
Go to nature with no parti pris. You should not know what your picture is to look like until it is done. Just see the picture that is coming.
I will be so glad to take the picture and pose and look good for the picture. But when you catch me while I'm looking real sideways and the picture's ugly as hell, I don't want you to have the picture like that!
I'm afraid of the dark because I picture things; I see things. I'm a freak. I see, like, little demons coming out of the floor and other little things running around. It's scary.
What is an artistic picture? An artistic picture is very simple. The creator is not the producer. The creator is not the star. The creator is the director, the person who realizes the picture, like a poet, like an artist. The creator of the picture is free to do whatever he wants, how he wants to do it. That is an artistic picture.
I feel I'm such a big part of that insecurity that some girls might have because of my job, that girls think they have to be that picture. And even boys, they think that that picture exists, and it's so frustrating because I don't look like that picture - I wake up not looking like that picture.
One time a guy handed me a picture. He said, 'Here's a picture of me when I was younger.' Every picture is of you when you were younger. 'Here's a picture of me when I'm older.' 'You son of bit, how'd you pull that off Let me see that camera. What's it look like'
I don't see myself as a movie maker only. When I can do a picture, I do. But I don't work like a business, in pictures. I am not obliged to make one picture after the other in order to live. I write books, I write for comic books, I give lectures... I live. And when the opportunity comes to do a picture, I do a picture.
When an artist paints a picture he does not want you to consider his personality as represented in that picture - he wants you to look at the beauty of that picture. No one cares who has painted the picture as long as it is beautiful.
It's crazy, because you see these famous actors or actresses and I'm like, 'Oh, I want a picture with you!' and they're like 'No, I want a picture with you!'
When I'm online and I see a picture I want to draw of anybody or anything, a unique angle of them or just something that looks very drawable, I slide it to my desktop and put it in a folder. It just seems like every picture of Trump is a revelation. Any angle. I didn't know a person could look like that. His facial expressions - he really is a cartoon. He's like an instruction manual of how to caricature someone.
Because we're becoming such an urban nation, we're going to need to be producing so much more food in cities. These institutions have members, obviously. They have the resources to start projects like urban farms and gardens, teaching tools, and the ability to educate their members so that they can then go home and start their own urban gardens. I just really think that faith-based institutions can take the lead in creating community-based food systems, and I'd really like to see that happen.
I think that anybody who's anti-selfie is really just a hater. Because, truthfully, why shouldn't people take pictures of themselves? When I'm on Instagram and I see that somebody took a picture of themselves, I'm like, 'Thank you.' I don't need to see a picture of the sky, the trees, plants. There's only one you.
After I posted the picture of Frank Ocean, I think his little brother called him and said the picture was all over the Internet, so Frank Ocean was like, 'I'm not on social media like that, but it's cool. I'm not mad about it.'
For me the most important thing to do in a selfie is to have an opinion and to say something with the picture. Don't just take a picture of yourself like, 'Here I am.' It's what are you thinking? Are you happy? Are you angry? Do you like it? Do you not like it? Think an emotion and apply it to your eyes.
We all have an idea of what we look like, and then you see a giant picture of yourself and you're like, "Oh my god, wait, that's me?" And it's such a specific version of me, with styling, and art direction... It's like when you hear yourself on a recording, and you go, "That's what I sound like?!" That's how I feel when I see images of me.
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