A Quote by Brooks Atkinson
Nobody is fully alive who cannot apply to art as much discrimination and appreciation as he applies to the work by which he earns his living.
Related Quotes
No poet, no artist of any art, has his complete meaning alone. His significance, his appreciation is the appreciation of his relation to the dead poets and artists. You cannot value him alone; you must set him, for contrast and comparison, among the dead.
A master in the art of living draws no sharp distinction between his work and his play; his labor and his leisure; his mind and his body; his education and his recreation. He hardly knows which is which.
Even in fiction, I feel rigorous honesty applies. It doesn't apply to facts; it applies to what I think of as not telling emotional lies, which is a funny business.
The master in the art of living makes little distinction between his work and his play, his labor and his leisure, his mind and his body, his information and his recreation, his love and his religion. He hardly knows which is which. He simply pursues his vision of excellence at whatever he does, leaving others to decide whether he is working or playing. To him he's always doing both.
Each man of us is living his own personal work of art, and cannot evade artistic responsibility for his product.
A painter, who finds no satisfaction in mere representation, however artistic, in his longing to express his inner life, cannot but envy the ease with which music, the most non-material of the arts today, achieves this end. He naturally seeks to apply the methods of music to his own art.
I love art, and I love history, but it is living art and living history that I love. It is in the interest of living art and living history that I oppose so-called restoration. What history can there be in a building bedaubed with ornament, which cannot at the best be anything but a hopeless and lifeless imitation of the hope and vigor of the earlier world?
A manager's task is to make the strengths of people effective and their weakness irrelevant - and that applies fully as much to the manager's boss as it applies to the manager's subordinates.
Everyone has a vocation by which he earns his living, but he also has a vocation in an older sense of the word-the vocation to use his powers and live his life well.
To me there is no past or future in my art. If a work of art cannot live always in the present it must not be considered at all. The art of the Greeks, of the Egyptians, of the great painters who lived in other times, is not an art of the past; perhaps it is more alive today than it ever was.
The spirit in which one earns his daily bread means as much to his soul as the bread itself may mean to his body.
The poet needs a ground in popular tradition on which he may work, and which, again, may restrain his art within the due temperance. It holds him to the people, supplies a foundation for his edifice; and, in furnishing so much work done to his hand, leaves him at leisure, and in full strength for the audacities of his imagination.
Life and work are not things apart. Work is more than gaining privileges and possessions; it is ongoing, ecstatic, LIVING experience. When we tap into living experience, we no longer feel as though we must be king. We can just be ALIVE at work! When we live in the bliss, there is no difficulty which is insurmountable. If we miss the bliss, there is no compensation which is adequate.
The other salient characteristic of the Declaration is its universality: it applies to all human beings without any discrimination whatever; it also applies to all territories, whatever their economic or political regime.
It doesn't make any difference how much money a father earns, his name is always Dad-Can-I.... Like all other children, my five have one great talent: they are gifted beggars. Not one of them ever ran into the room, looked up at me, and said, "I'm really happy that you're my father, and as a tangible token of my appreciation, here's a dollar.
Art is nothing tangible. We cannot call a painting 'art' as the words 'artifact' and 'artificial' imply. The thing made is a work of art made by art, but not itself art. The art remains in the artist and is the knowledge by which things are made.
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