A Quote by Bruno Maag

The argument that a serif font is too fussy doesn't cut it anymore. You want a font where the letter forms are not ambiguous. — © Bruno Maag
The argument that a serif font is too fussy doesn't cut it anymore. You want a font where the letter forms are not ambiguous.
If you imagine b, d, p, and q, those are letter forms that all the children always mess up. They are mirror forms of one another. That feature is emphasized in a font like Arial, where the shapes are literally mirror forms.
There are people who specialise in lettering, and I've had my hand lettering made into a digital font. I picked up a copy of the 'Dandy' the other week, and I was amazed to see that it was completely lettered in my hand-lettering font. It was quite a thrill, really, having been a 'Dandy' reader years and years ago.
I learned about serif and san serif typefaces, about varying the amount of space between different letter combinations, about what makes great typography great. It was beautiful, historical, artistically subtle in a way that science can't capture, and I found it fascinating.
The problem with these interviews is that there's no sarcastic font.
Helvetica is the font of the Vietnam War.
There is a great need for a sarcasm font.
Looking at font serifs is fun.
Poetry is a type-font design for an alphabet of fun, hate, love, death.
The Administration's policy on women is often hard to see because it is written in the font size of pharmaceutical ads.
Substance over style is the rule for all resumes. Any special effects will dilute the gravitas and stature of the impression. You want people to concentrate on your accomplishments and your successes, not the curlicues of a font or unusual shades or contrast of colors.
I prefer clothes that are simple, well-cut, but with one major extravagance. Something with the sleeves, with the skirt, but nothing too fussy, too flashy.
For whenever unbaptized persons die confessing Christ, this confession is of the same efficacy for the remission of sins as if they were washed in the sacred font of baptism.
Instead of being the 'font of all knowledge,' teachers are required to be effective facilitators of student learning both within and outside the classroom at any time.
With writing a song, I've always felt, right from the start, like I'm scraping the bottom of the barrel. I don't ever feel there's a font of ideas to fall back on.
No one cares about your logo, nor the font size that's on your site.
How do you do original work when culture is telling you which font face to use, which layout.
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