A Quote by Brad Alan Lewis
Picasso spent hundereds of hours carefully planning his masterpieces. The sketchbooks were filled with ideas, bits and pieces, test runs, none of it meant to be seen by anyone. In a similar way, rowing practices are our sketchbooks, where we prepared our raceday masterpiece.
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In the case of 'Sweet Tooth,' and in the case of a lot of stuff I do, it all starts with the image. It may be something I sketch in my sketchbooks - something that reoccurs in the sketchbooks. Eventually, a character or story line starts to grow out of that.
I have about 20 sketchbooks from my childhood filled with drawings, but I'd only have a page here or there where I was trying to figure out how to do comics.
Anyone can look through my sketchbooks as long as they don't have a background in psychiatric medicine.
Our life is made up of time; our days are measured in hours, our pay measured by those hours, our knowledge is measured by years. We grab a few quick minutes in our busy day to have a coffee break. We rush back to our desks, we watch the clock, we live by appointments. And yet your time eventually runs out and you wonder in your heart of hearts if those seconds, minutes, hours, days, weeks, months, years and decades were being spent the best way they possibly could. In other words, if you could change anything, would you?
We occupy a space of our own creation-a collage compounded by bits and pieces of actuality arranged into a design determined by our internal perceptions, our hopes, our fears, our memories, and our anticipations.
One day God felt he ought to give his workshop a spring clean... It was amazing what ragged bits and pieces came from under his workbench as he swept. Beginnings of creatures, bits that looked useful but had seemed wrong, ideas he'd mislaid and forgotten... There was even a tiny lump of sun. He scratched his head. What could be done with all this rubbish?
I have notebooks and sketchbooks for ideas. I also have drawers full of envelopes covered in quick outlines, scenes or scraps of dialogue that I don't want to forget. I tend to grab whatever's to hand and just get the thing down before it's lost. It's not what you would call a streamlined system.
I drew a lot. I always had sketchbooks. My parents were really great about any gift-giving holiday - birthdays, Hanukkah, Christmas - it was always art supplies for my brother and I.
When I look through my sketchbooks, they bring back moments that I would otherwise have completely forgotten.
We do not go to bed in single pairs; even if we choose not to refer to them, we still drag there with us the cultural impedimenta of our social class, our parents' lives, our bank balances, our sexual and emotional expectations, our whole biographies-all the bits and pieces of our unique existences.
It is often we come the closest to the essence of an artist... in his or her pocket notebooks and travel sketchbooks... where written comments and personal notes provide an intimate insight into the magical mind of a working artist.
The computer is a tool, just like pencil or charcoal, allowing illustrators to manipulate images from their sketchbooks.
I take little bits and pieces of ideas that I may or may not believe in but I give them to this character and he runs with them. I have fun with however he handles the situation.
One of the things about the Constitution - that our forefathers wrote, and basically, there were none of our foremothers that were there. There were none of our fore-sisters there. There are changes that can take place, and there is room to change.
Can a great artist be mean-spirited, grasping, harsh to his family, violent in his emotions, vindictive in his hatreds, an all-purpose scoundrel? If our test cases are the likes of Wagner, Picasso, and, let me say, Dickens, the answer is a resounding yes.
he first make-up crew had three test runs, so by the time we were shooting, they got it down to three hours. They switched make-up crews for Eclipse and they never had any test runs, and they had to figure out what the other team had done, so the first day, I was in the chair for eight hours. But, they adjusted the scar from New Moon to Eclipse. The first time, there was more pullage on my face, so I had a hard time eating. It didn't hurt, but it was uncomfortable.
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