A Quote by Brad Paisley

Tomorrow is the first blank page of a 365-page book. Write a good one. — © Brad Paisley
Tomorrow is the first blank page of a 365-page book. Write a good one.
When I write, the first blank page, or any blank page, means nothing to me. What means something is a page that has been filled with words.
I have a horror of the blank page. I simply cannot write on a blank page or screen. Because once I do, I start to fix it, and I never get past the first sentence.
One thing I knew about the novelist’s task: when in doubt, write; when empty, write; when afraid, write. Nothing is more impenetrable than the blank page. The blank page is the void, the absence of sense and feeling, the white light of literary death.
Yes, the fear of its blankness. At the same time, I kind of loved it. Mallarmé was trying to make the page a blank page. But if you're going to make the page a blank page, it's not just the absence of something, it has to become something else. It has to be material, it has to be this thing. I wanted to turn a page into a thing.
Lots of people can write a good first page but to sustain it, that's my litmus test. If I flip to the middle of the book and there's a piece of dialogue that's just outstanding, or a description, then I'll flip back to the first page and start it.
As a writer, if you have something on a page, you can start moving it around and get something you like. But if you have a blank page, it's just gonna be a blank page.
The enemy is not the badly written page; it is the empty page the great advantage of a badly written page is that it can be rewritten. It can be improved. A blank page is zero. In fact, it’s worse than zero, because it represents territory you’re afraid, unwilling, or too lazy to explore. Avoid exploring this territory long enough, and you’ll abandon your book.
Sometimes it can be really exciting, but I avoid the blank page now. What I do is hand write everything. When you're hand writing, there's never a blank page, really. There's so much you can do with that.
When I write a book, I write very cleanly from page one to the last page. I hardly ever write out of sequence.
You might not write well every day, but you can always edit a bad page. You can't edit a blank page.
I want to wake up one morning and know how to write page one, or page 10, or page 250. But I never seem to know how to do it. Every book is different and takes a different structure, style, process, etc. And relearning how to write is where the insanity comes from.
I found, after the experience of making 'Shaun Of The Dead' and then returning to the blank page - because 'Shaun Of The Dead' was the first screenplay I ever wrote properly - the experience of returning to the blank page and having nothing in the drawer was intensely painful.
My ideal is a book that is perfect on every page, that gives you tremendous aesthetic joy on every page. I suppose I am trying to write such a book.
It would absolutely suck if you paid a few bucks for a book only to find that on the first page it said, 'Once upon a time they all lived happily ever after' and the rest of the book was blank.
Having the great opportunity on a daily basis to sit in front of a blank page is terrifying, and at the same time really exciting. I can't actually get better at my job, because every time you finish something you start with a blank page, with nothing.
Whatever's good about your book should be good on page 1, or very few editors are going to get to page 2.
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