A Quote by Brad Paisley

I love to play. When I'm off, I feel a little lost - like, shouldn't I be on stage somewhere? — © Brad Paisley
I love to play. When I'm off, I feel a little lost - like, shouldn't I be on stage somewhere?
I go around with my books so much and I love to perform on stage, to remind everybody that the lights are off, the phones are off, and for this hour, it's going to be like your mother reading to you. We're going to remember why we love stories. I think that gets lost in over-intellectualizing.
On stage, I feel like I'm invincible, like nothing bad can happen. I can be myself. I feel like I shrink when I'm off stage.
I do feel that I’ve managed to make something I could maybe call my world…over time…little by little. And when I’m inside it, to some extent, I feel kind of relieved. But the very fact I felt I had to make such a world probably means that I’m a weak person, that I bruise easily, don’t you think? And in the eyes of society at large, that world of mine is a puny little thing. It’s like a cardboard house: a puff of wind might carry it off somewhere.
little sun little moon little dog and a little to eat and a little to love and a little to live for in a little room filled with little mice who gnaw and dance and run while I sleep waiting for a little death in the middle of a little morning in a little city in a little state my little mother dead my little father dead in a little cemetery somewhere. I have only a little time to tell you this: watch out for little death when he comes running but like all the billions of little deaths it will finally mean nothing and everything: all your little tears burning like the dove, wasted.
I read somewhere that when I go on stage, people realize that they're not me and they feel better. When I walk off the stage, people know who I really am. I'm not saying it's great comedy, cool comedy or better comedy - but that's what I do, and I do it first for myself.
Any footballer's dream would be to play for Manchester United and to play at Old Trafford. The pitch just has this iconic feeling about it. It's elevated like it's almost a stage for the players, and I always enjoyed that you can kind of just slip right off the edges. Seeing the little nuances of it, you know, it's just special to be there.
I love to play; a stage is a safe place for me to be. It's not that way for most folks, but I'd be lost without it.
My grandmother took me to a play, and... there was a little girl on stage. And as soon as I saw her on stage, I thought, 'This is my job'... I was probably, like, 7 or 8. I was very young... It was 'Joseph and the Amazing Technicolor Dreamcoat'.
That one thing that people say about me taking plays off, I feel like somebody said that when I was playing in college and it has followed me throughout my career. Because I feel like if we had the film and you wanted to pick one person who was taking a play off on a particular play, you could pick anybody.
I feel like a lot of my work on stage, I've gotten to play a wider range of characters than I have on film. This feels closer to who I am than stuff I've played on stage, or, like, Olive Kitteridge.
I'm just focused on getting to the end of each show and feeling like we've done a good job when we walk off stage. And a perfect show isn't necessarily about making the audience feel good. I know I've done my job well if I've made people feel... interesting. I like to leave them a little stunned.
I love playing with a full band, but there's just like a different feeling up on stage when you're playing with a smaller group. It's easier to play off each other.
I don't feel a day older when it comes to my approach to music or what gets me off than when I was a teenager. I've always been into different kinds of stuff and when I play I like to play loud. I like my arm hairs to move and I like my body to vibrate 'cause I like the feel of it; I'm still a teenager at heart.
It's not most important to communicate myself on stage as it is to be as funny or interesting as I possibly can on stage. I feel more like I'm doing a play whose main character just happens to share my name.
I always say that I've grown little flaps on a stage and I've got these little gills that open, because on the stage I'm in my element and I'm like a fish that's come out when I'm on land, which is filming. I'm never quite as comfortable as I am on the stage.
I know some people who are like, 'I love fitness,' and I feel like if you have to say that, you're still in the romance stage. I'm in the stage where I've been married to it for 60 years, and I don't think I'll ever get a divorce.
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