A Quote by Brad Pitt
Where I grew up - we started out in Oklahoma and then moved to Missouri - it was considered hubris to talk about yourself. And the downside of that was that ideas rarely got exchanged, or true feelings.
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You write about what you know. It makes everything easier, and also more truthful. In this case, I grew up in Oklahoma, and I grew up in the Cherokee Nation and I'm a member of the Cherokee Tribe. Oddly enough, I know a lot about robots and Oklahoma, and so that's what comes out in my writing.
When I was a little kid we moved to Tulsa, then to St. Louis and, by the time I was in kindergarten, we lived in Springfield, Missouri. There I basically grew up.
I rejected being a lot of things that I grew up in, and yet I didn't. I got all my tactics from where I grew up... I can talk about all the people in those environments more than I can talk about the teachers at Juilliard or anyone else.
I grew up on a farm in Lexington, Oklahoma, a rural community south of Norman. My family moved to Enid, Oklahoma, in 1962, when I was a junior in high school. This cast me into a totally different environment. Enid was a company town for Champlin Petroleum, and there was an oil boom going on.
I think people assume that because I talk the way that I talk that I grew up with money, and then I've had to say, 'No, I grew up poor.' And then I was like, 'Why do I have to play this game where the only black experience that's authentic is the one where you grew up in poverty?' I mean, it's ridiculous.
I grew up kind of in the country, in western Georgia. And then I moved a lot closer to Atlanta, and I started doing plays, and when I started doing film, I think I really started to love it.
I was raised in Oklahoma. I was actually born in Tulsa, but I grew up in a small town on the west side of Oklahoma called Elk City on a farm, where my dad grew up, actually.
I grew up in Oklahoma and Missouri, and I just loved film. My folks would take us to the drive-in on summer nights, and we'd sit on the hood of the car. I just had this profound love for storytelling.
In stand-up it really helps to play yourself and talk about your own feelings. You cannot fail to be original if you're just talking about what you think about X, Y and Z. Unless you've got a twin brother who's also a stand-up.
If you listen to all of my records, they all have a little part of me. So there's a part of me that's very bluegrass-y, and incredibly country, because I grew up on a farm in Missouri - I grew up singing country music. I started in bluegrass - but then there's also so many other sides of me - really pop.
When I moved from Armenia to L.A., I moved to North Kingsley Drive. That was my street, that's where I grew up and I saw everything there. I started skateboarding there. I witnessed homelessness, the poor, you know, I noticed gangs. I learned about friendship.
Singing was my first love and I never even considered it after I started acting, but now I'm bringing it back into my life. I trained from the ages of 11 to 17. When I moved to New York and got into serious acting, I just kind of abandoned the whole singing thing. But when I grew up in Pennsylvania I went to voice lessons once a week.
Going to America increased the build up on me, especially as the war was going on there. In a way we'd turned out to be a Trojan horse. The 'Fab Four' moved right to the top and then sang about drugs and sex and then I got into more and more heavy stuff and that's when they started dropping us.
My mom grew up in poverty in Oklahoma - like Dust Bowl, nine people in one room kind of place - and the way she got out of poverty was through education. My dad grew up without a dad, with very little and he also made his way out through education.
It all started in Michigan. My dad got a job in Michigan, so we all moved up there from St. Louis. I kind of hung out in the summer and had nothing to do, so I sort of got into acting. And then I was going to Grand Blanc High, doing the acting thing and hoping it would pan out.
It wasn't until I started to do 'Poison River' that the readership started falling. 'Poison River' started out very slowly and simply, but then it got really dense and complicated. I don't know, I think the readers just got fed up or burned out. They started dropping off.
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