A Quote by Bruce Barton

If you are going to do anything, you must expect criticism. But it's better to be a doer than a critic. The doer moves; the critic stands still, and is passed by. — © Bruce Barton
If you are going to do anything, you must expect criticism. But it's better to be a doer than a critic. The doer moves; the critic stands still, and is passed by.
A non-doer is very often a critic-that is, someone who sits back and watches doers, and then waxes philosophically about how the doers are doing. It's easy to be a critic, but being a doer requires effort, risk, and change.
It's often the case that when a critic uses an embarrassingly accurate term to describe what a wrong-doer is doing, the wrong-doer protests: "Why don't you use my white-washed, conscience-soothing euphemism?" Such euphemisms, they claim, help promote "civilized debate."
Be a doer and not a critic.
It's not the critic who counts, nor the man who points out how the strong man stumbles, or where the doer of the deeds could have done better.
Criticism is necessary and useful; it is often indispensable; but it can never take the place of action, or be even a poor substitute for it. The function of the mere critic is of very subordinate usefulness. It is the doer of deeds who actually counts in the battle for life, and not the man who looks on and says how the fight ought to be fought, without himself sharing the stress and the danger.
I still think like a critic, and I still analyze films like a critic. However, it's not possible to write criticism if you're making films.
Because I'm a former critic, I view criticism differently than most do. I can take criticism, but if you're going to eviscerate us, be specific.
I learned more in the rehearsals for 'The Letter' than I have ever dreamed of know in the theater as a critic. If it doesn't make me a better critic, I'm an idiot.
hat whole phrase, "daring greatly," is from the Theodore Roosevelt quote that goes back to your original question of, what about the critics? And when I read his quote it was life-changing. "It's not the critic who counts; it's not the man who points out how the strong man stumbles or where the doer of deeds could have done the better.
Your harshest critic is always going to be yourself. Don't ignore that critic but don't give it more attention than it deserves.
Your harshest critic is always going to be yourself. Don't ignore that critic, but don't give it more attention than it deserves.
The man who really counts in the world is the doer, not the mere critic -- the man who actually does the work, even if roughly and imperfectly, not the man who only talks or writes about how it ought to be done.
I was the first critic ever to win a Tony - for co-authoring 'Elaine Stritch at Liberty.' Criticism is a life without risk; the critic is risking his opinion, the maker is risking his life. It's a humbling thought but important for the critic to keep it in mind - a thought he can only know if he's made something himself.
For the critic, criticism is a form of natural self-expression, as poetry is to the poet. So, for a critic, criticism is a true thing. Criticism isn’t written for poets, it’s written for other readers. One hopes it is true for other readers if it’s true for oneself.
Ralph Ellison's essays were models for me when I began my life as a critic. Slipping cultural yokes and violating aesthetic boundaries, he made criticism high-stakes work, especially for a black critic.
Everybody wants to be a critic: a critic without the actual accolades to be a critic.
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