A Quote by Bruce Bennett
All I knew about shot putting was that my [older] brother could do 44 feet. I decided I wanted to beat him. . . . So I got a shot and went to work and made up my mind to do 45 feet.
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Usually after a shot, we look for a chair to rest our feet. In 'Oopiri,' it was the other way around. After every shot, I was on my feet, walking around the set trying to get the blood circulation in my legs working properly.
The first time I shot the hook, I was in fourth grade, and I was about five feet eight inches tall. I put the ball up and felt totally at ease with the shot. I was completely confident it would go in. I've been shooting it ever since.
At 7:45 p.m. I was shot in the left arm by a friend. The bullet was a copper jacket 22 long rifle. My friend was standing about fifteen feet from me.
A shot that goes in the cup is pure luck, but a shot to within two feet of the flag is skill.
I knew that they were going to be reading actors for Manute, and I wanted to give it a shot. I wanted a shot to do it, and they embraced that and said, "All right, come on in. Let's see what you've got." So, I went in, and the rest is history. It felt good when I went into the office, and it just worked.
I'm about to be shot 150 feet up in the air. I feel queasy!
I'd like [Santa Claus] to give Wes Anderson, the director, enough money in his next budget for an aerial shot - just a little copter shot. He really wanted this one helicopter shot, and Disney wouldn't give him the money. Just wouldn't give him the money. Every day, he was talking to the studio about this helicopter shot.
Went to 16 and hit a really bad 3 wood for my second shot and got stuck in the bunker about 70 yards from the pin. Poor execution, chunked it, hit a good chip up to about eight feet, missed it.
If I'm ever working on a set and anyone talks about a master shot, I say there is no master shot. Before I even went to film school, I learned about movies by being in a British feature film, where everything was shot master shot, mid-shot, close-up. But I reject the idea of a master shot. You don't shoot everything mechanically; you find imaginative ways that serve the action.
I own one pair of Prada shoes. They make my feet hurt... It's not the shoes' fault; they are exquisitely made. I blame my feet. I've got my mother's feet.
Well, Bill [Bill Hickok] was a pretty good shot. But he could not shoot as quick as half a dozen men we all knew in those days, nor as straight either. But Bill was cool, and the men who he went up against were rattled, I guess. Bill beat them to it. He made up his mind to kill the other man before the other man had finished thinking.
In the basement of 33 Himmel Street, Max Vandenburg could feel the fists of an entire nation. One by one they climbed into the ring to beat him down. They made him bleed. They let him suffer. Millions of them - until one last time, when he gathered himself to his feet.
I'm the kind of person who if I was playing the role of someone who got shot, I'd probably want to get shot so I knew what it felt like.
When I got shot I wasn't like 'yes' I got shot, now I can say that in my raps, when I got shot I said 'ouch'.
The only equivalent plunge from genius I could think of was Ernest Hemmingway's tragic loss of ability to write. Hemmingway got up one morning and shot himself. Nicklaus got up the next morning and shot 66.
I'm fast and I move well so I know how to come in at weird angles and keep my feet under me. I'm looking for that power shot and I might not be able to fire off anything after it if my feet aren't under me. Footwork is a huge part of my game.
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