A Quote by Bruce Buffer
I would walk into a room at a young age and I'd say, 'Hi, Dad,' and he would say, 'SON, PROJECT YOUR VOICE. LET THEM KNOW YOU'RE IN THE ROOM. SHOULDERS BACK. CHEST OUT.'
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It's extraordinary to think that if you walked into a room and said you had never heard of Hamlet, you would be regarded as a Philistine. But you could walk into the same room and say, 'I don't know what a proton is,' and people would just laugh and say, 'Why should you know?'
Every time the tour guide told a story, he would build it up to the point where he'd say, "And there was Bloody Joe, and his young ghost son walked into the room." He would build it up, and then it was just "the ghost walked into the room." And he would say, "Let's move on," and that would be it. It's like, wait, what happened to the bloody ghost? That's it? We knew he was making some of it up.
When I had a group of undergraduates in the room, I would say to them, 'How many of you want to run for office someday?' And almost every male hand in the room would go up. And very few of the young women.
There were times that we'd be in the locker room there before everyone else, and a guy would walk in, say, 'Is this the Kliq locker room?' So we'd draw with a sharpie on the back of a program and write 'Kliq locker room'. I can promise you that none of those signs were ever on WWE letterhead.
When I was a kid, I wanted to walk with my dad's limp - my dad was my hero - but that infuriated him, and he would make me walk back and forth in the living room until I walked without it.
If you walk into a room, and there is no one that's not like you there, whether it's a woman or a person of color, anyone that's different from you, you should be able to say this is a problem. We need allies in that room to say that video, this room, this company, these ideas, this film, this whatever, this is not right - this is not good enough.
In a world of fixed future, life is an infinite corridor of rooms, one room lit at each moment, the next room dark but prepared. We walk from room to room, look into the room that is lit, the present moment, then walk on. We do not know the rooms ahead, but we know we cannot change them. We are spectators of our lives.
I can walk into a room and create a good ambience. I was taught all about this back when I studied acting. One of the things they would teach you is how to send out positive signals when you enter a room. I am glad I learned this.
I am so much like my mother. When we're in a room together everybody always comments on how spooky it is. I would say I get most of the musicality from my mum - and my dad, but I think my dad is the poet, you know.
Taro came into the room, strands of hair flying free of the tie at the back of his skull, sweat plastering his cream-colored shirt against his chest and back. I wished I had an artist's skill, that I could make renderings of him in all his states of beauty. He would never want to look at them, or even know about them. I would just like them for myself. Maybe he would want to see them when he was much older, and beautiful in a different way.
Time machine... wouldn't you like to travel through time? I would. I'd go back... mess with people. You know what I would do? I would go back to when my mom and dad were having sex, to have me. Ya'know, come in, spank my dad on the ass I'm your son from the future! Ahaha!
I never walk into a room and say, 'Hi! I am Vanessa Williams' daughter.' It helps me to become more authentic.
I chose the name "Padded Room," because, when I'm in the booth, it would be the padded room. When I'm in the booth, I can say a lot of things and speak about a lot of things that normally I wouldn't be able to speak about to a friend or to family or to a crowd. A lot of times, the things that I say, if you had to categorize it, they would probably call me nuts or crazy. So, you add that aspect of "The Padded Room," which would be almost like an insane asylum.
At the morgue, people were so desensitized that they would eat lunch in the glass walled room adjacent to the autopsy room. A viewing room. Because it had the best air conditioning in the building. So they would eat in there and maybe somebody would come in who had been found after being dead for three days and they would say: That is the exact purple I want for those drapes in the study. They didn't miss a beat. They could eat through anything.
I've been put up in great hotels from a very young age, so I've been spoilt. What I can't stand is when I arrive somewhere and the room isn't ready. You call housekeeping, and it takes them three hours to get the room into shape. I'm afraid to say that the Hilton in London was not too good on that score.
The key to being a wonderful writer is not to write. You just get out of the way. Leave room for God to walk in the room. And when I write something that I know is right, I get on my knees and say 'thank you.'
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