A Quote by Bruce Greenwood

You kind of invite a little spooky, creepy vibe into your whole experience of making a movie. — © Bruce Greenwood
You kind of invite a little spooky, creepy vibe into your whole experience of making a movie.
I work with directors who haven't had the experience of being on sets as much as I have. I feel like, in a way, if it's an independent movie, I can teach the crew to kind of relax, or create a vibe. It really is about a vibe.
The whole idea of being mesmerized and not in control of your own actions is fascinating and a little spooky. I remember hearing about someone who'd gone to a magic act, and a person in the audience had become hypnotized by observing too closely what magician was doing on stage, and thought it was spooky to lose your consciousness that way.
It's not quite the same as other kinds of performing, but I love animation. It is just a different kind of experience. The difference is that making a live action movie you are using your whole body.
You've gotta wonder what kind of vibe you're putting out there if you're having really creepy people come talk to you.
I love Halloween, and I love spooky stuff. I love horror movies. I love everything creepy, and I've always kind of wanted to do this, just do really dark pop.
A big part of making a good record is really getting a vibe, and a vibe is a mysterious thing. The vibe kind of exists in the air in the room. It's not just all the stuff you put on there, and the specific notes and arrangements and all that. That's like half of it. The other half is just the air, and just the spirit.
You’re playing the creepy vibe a little hard,” I said. “Might as well go for broke, put on a black top hat and pipe in some organ music.
I ended up falling in love with the whole movie-making experience.
Basically, we [me and Evan Goldberg] started thinking about making a movie that was kind of a weed movie and action movie and had a real kind of friendship story to it, then that would be our favorite movie [Pineapple Express] ever.
The experience you have making the movie is all you have; when the movie's finished, that's for other people. But while you're doing it, that's your time on the planet, so you want it to be good.
I can't think of anything more important than a kid being sick and making them laugh and making that whole experience a little easier.
'The A-Team' compared to making 'Narc' was a breeze. There's a whole other skill set and whole other kind of bone structure that goes into making a movie like 'Narc' versus 'The A-Team.'
Music is such an incredibly affecting part of any movie-going experience, and it just... it shapes your whole experience.
It's kind of hard to enjoy the film when you are watching yourself the whole time. But you do get on with it and try and appreciate everything else about the movie. At least that's what I do. It depends on how fresh in my memory the whole experience is.
What strikes me is that 'XIII' looks like a movie. The shot making is movie-like, which is kind of fun - the kind of playful action movie shot making is pretty, is pretty good. What's also great about this game is its style and interesting story-line.
Real Super 8 is creepy. If you went into your grandmother's attic and found her Super 8 films and watched them, I don't care what was on them, there would be something a little creepy feeling about it.
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