A Quote by Bruce Springsteen

A great singer has to learn how to inhabit a song. — © Bruce Springsteen
A great singer has to learn how to inhabit a song.
I studied other singers, so I would learn how to phrase, and learn how to breathe. And the main thing was, I learned how to inhabit my song.
At the end of the day, all people want to do is hear a great singer sing a great song. They don't care about what vocal changes it went through. You can't screw up a great song and a great singer.
A great song can make a terrible singer sound good, but a good singer - you put a great song on top of that, you're really in great shape!
I don't think a good singer or a great singer is either of those things without a great song.
Thank God, 50 years ago I learned that our entire business is all based on two things; a great song and a great story. Film, television, if you don't have that story, nothing else matters. You don't call anybody else or direct anybody. The same with a song. A great song can make the worst singer in the world a star.
The difference between a good song and a great song is a good song is one that you know, you'll put on in your car or you'll dance to it. But I think a great song you'll cry to it, or you get chills. I think a great song says how you feel better than you could.
Success is a learnable skill. You can learn to succeed at anything. If you want to be a great golfer, you can learn how to do it. If you want to be a great piano player, you can learn how to do it. If you want to be truly happy, you can learn how to do it. If you want to be rich, you can learn how to do it. It doesn't matter where you are right now. It doesn't matter where you're starting from. What matters is that you are willing to learn.
I am a moderately good singer. I am not a great singer but I can interpret a song, which I don't think is quite the same as singing it.
How can a song all about struggling with the afterglow of fame thrust someone into fame? How can a lyric like, 'I'm just a singer who already blew his shot,' give a singer another shot? I don't know... but it's funny.
You learn from music, from watching great athletes at work - how disciplined they are, how they move. You learn these things by watching a shortstop at work, how he concentrates on one thing at a time. You learn from classic music, from the blues and jazz, from bluegrass. From all this, you learn how to sustain a great line without bringing in unnecessary words.
Even my colleagues don't read classic criticism. And my feeling is that if you don't do that then you're not really practicing your craft. That's how you learn how to do it. You don't learn how to write about jazz just from listening to jazz. You learn how to write by reading the great writers and how they worked, the great music critics.
A cabaret song has got to be written - for the middle voice, ideally - because you've got to hear the wit of the words. And a cabaret song gives the singer room to act, more even than an opera singer.
My practice is to take a sheet, write the song number in the left side, name of the production, and time of recording. Only when I have to fill the name of the singer do we look out to see who is free. When the singers we want aren't there, I end up singing it! That's how I became a singer.
There's two things that are tough when you're trying to be a songwriter: Number one is, how do I write a great song? The second thing is, how do I write a great song that's right for me?
A singer knows how he wants the song to go, and a writer visualizes how he wants the song to go.
You can have favorites but sometimes, when a singer or a composer comes up with a great song, you acknowledge it.
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