A Quote by Rebel Wilson
I don't like karaoke because the mics are always so worn out. The quality of the mics is such that you're always going (screaming) "Yeah, yeah!" and then you can't like it. It's like sometimes I'm too professional to get up and do it.
Related Quotes
I was always just like, 'Standups are making it up.' A lot of people have that myth about standup. And so it wasn't until I was in college for theater school in Boston that I realized I can actually start going to open mics and figuring this out.
I have a really hard time stepping out of a limousine and confronting a sh*tload of photographers who are all screaming at you, because it's like saying, 'yeah, yeah, here I am!'
In music industry they always want you to write something like the one that was popular. And that's something you kind of have to just - sometimes you just say yes to people, like, "Yeah, yeah, yeah, sure," and then you just write the one you want to write.
I feel like I'm a fan of film who's actually in the business, too. So it'd be like saying like, ‘Yeah, I love the NFL,’ and then, ‘Yeah, I'm also a wide receiver.’
Sometimes I feel like I'm making a connection with a stranger, but then it turns out I'm not. Like, I was in a mall, and I saw this lady hitting her kid. So I went up to her, and I was like, "Yeah, get him!" She got all mad at me. I was like, "I'm on your side here."
I would. I'm just too, I'm kind of, a pussy, I guess. That's the problem. But, no, I'd love to. I think everybody should do open mics. I think it's very healthy for your soul. So yeah, I'd love to do it again, but I don't know. It's like I'm cutting a record if I do open mic now, so, I don't know.
I don't want to sound corny; everyone tells you what it's going to be like to have kids and you're like, 'Yeah, yeah, yeah, sure.' And then you have kids, and in an instant nothing in the world matters except for this stranger, because this person comes into the world and in an instant all your focus and priorities becomes these kids.
I did so many open mics. I would write jokes on Twitter constantly, and then slowly, over time, open mics turned into shows. If you can get a joke to work at an open mic, it's a good joke.
New York has made me so paranoid, too. Whenever I visit another city, I always act like I'm from there, so the cab driver doesn't rip me off. I'm always like, "Yeah, it's good to be back home. Back here where I grew up. Yeah. Here in Tokyo. ... Uh, driver, I need to go to my old stomping grounds. That would be the Holiday Inn. And the address appears to be the pound sign."
I was at the AMC Century City movie theater with my mom, and we were walking through the lobby, and these girls came up to me, and they said, 'Are you Dallas from 'Austin & Ally' - and I was like, - yeah, yeah. And they were like, 'Can we have a picture with you?' and I was like, 'Yeah sure of course.'
I could definitely rock out to Kraftwerk's "Tour De France," Tubeway Army, or Gary Numan. All of that stuff has an infectious beat, but with "Oh Yeah," I can't even identify what's going on. It sounds like typewriter keys, a couple of synth notes and then this really deep "Oh yeah," which I always picture as Andre The Giant on vocals.
There are mics inside the instrument, a contact mic on my throat, and countless mics clustered around the air of the horn and throughout the room. I wanted to make something that was specific to the medium of recording.
Improv classes were too expensive, so I just started going to open mics. And the day I did it, I did, like, three because I just loved it so much. It was so much fun. And it wasn't good, it was just fun to do. It felt like a release.
We sometimes get lost in a bubble... when you get to a certain age you're always thinking about the old days and how it wasn't like that then. Well, yeah, that's great and it's very nostalgic and all that, but actually the world has moved on.
Just because two guys are homosexual and happen to be the only two homosexuals on-screen doesn't mean they're going to be like, 'Oh yeah, let's get together!' It doesn't always happen like that.
Someone came up to me and told me that [his opponent's] knee was hurt, and he said to me, attack his knee, I'm like, 'Yeah right, I'm not going out to attack this guy's knee.' It just doesn't … it's not realistic to go after his injury, unless they got a cut the same week, then it's like, yeah, hit him in the eye, because the [expletive] is going to re-open and now you wouldn't fight on the cut. Maybe on a cut you want to take advantage of it, that makes sense.
Related Authors
Angelina Jolie Quotes
American
Actress
Carrie Fisher Quotes
American
Actress
Cate Blanchett Quotes
Australian
Actress
Drew Barrymore Quotes
American
Actress
Emma Watson Quotes
British
Actress
Jane Fonda Quotes
American
Actress
Jennifer Aniston Quotes
American
Actress
Kate Winslet Quotes
English
Actress
Kristen Stewart Quotes
American
Actress
Lena Dunham Quotes
American
Actress
Marilyn Monroe Quotes
American
Actress
Meryl Streep Quotes
American
Actress
Mindy Kaling Quotes
American
Actress
Sandra Bullock Quotes
American
Actress
Selena Gomez Quotes
American
Actress
Viola Davis Quotes
American
Actress