A Quote by Van Morrison

For a long time, I couldn't actually deal with playing concerts, it was a totally alien concept to me, 'cos I was used to playing in clubs and dance halls. — © Van Morrison
For a long time, I couldn't actually deal with playing concerts, it was a totally alien concept to me, 'cos I was used to playing in clubs and dance halls.
For a long time, I couldn't actually deal with playing concerts; it was a totally alien concept to me, 'cause I was used to playing in clubs and dance halls.
I used to hear all these guys on 78s at my mother's when I was a teenager... I used to daydream that I was onstage playing the solos; I'm playing with B.B. King, and I'm playing with Lowell Fulsom, Jimmy McCracklin. And I literally ended up being in a band that backed them up at different clubs.
I did three club tours before I started playing concert halls, and the clubs were half full the first time around.
I enjoy playing clubs. I still enjoy the closeness of the nightclub venue. However, after a certain period of time and after playing around some of the clubs in New YorkI felt that jazz should be presented in a more prestigious atmosphere.
Over the years, I managed to develop this comedy career, went from opening act to headliner at comedy clubs, to playing concert halls, and had an off-Broadway show with 'Sleepwalk With Me.'
My dad and my brother took me over to England a few times to train with various clubs. My brother basically ended up sending a CD to a few clubs of me playing football. That seems like a long time ago now, but it ended up signing for Reading.
I was actually the head of the violin after-school club. And then I was also the head of the dance club, the popping club. So one day, just by coincidence, we had to hold the two clubs at the same time. I had to go back and forth. And that's when the idea came up for dancing and playing violin at the same time.
I started playing with a group of young people when I was 13. I turned professional when I was 15 and I played dance halls, this on bass guitar.
If you read reviews of concerts, the word 'creative' comes up all the time. However, performers playing music usually aren't creative. Critics might say they are, but they're just playing another persons work. They didn't create it.
Without being disrespectful to Leverkusen, playing for Liverpool helps me more because I am playing for one of the biggest clubs in the world, and I have no regrets making this step.
We've [me and brother] been playing hockey for a long time, since we were little kids. I started playing hockey at two and a half. Obviously, playing hockey we want to be known as good hockey players and hard working guys that earn everything they get.
We were at our best when we were playing in the dance halls of Liverpool and Hamburg. The world never saw that.
When we signed our deal in 1974, we'd already been together for six years. When they lowered the drinking age in Ontario in 1971 to 18 years, we went from playing two or three high schools in a month to playing clubs two or three times a week.
Every city is different for playing, actually. That's one of the hardest things: to play abroad. Because sometimes you know your city and your audience and you know what to play and what people will dance to. And later, you go to a place and you think this thing will work and you start playing and it doesn't work, and you have to be able to go to another side just to try to find what people like or whatever, or, like, try to make people dance as they are more used to. I don't know, it's quite strange - people dance in different parts of Europe in a different way.
I used to take long walks in England. The second time I went there, it helped me to lose a lot of weight. When I wasn't playing, I used to spend the whole day walking. Going from shop to shop.
Pressure, responsibility - I'm used to playing in big clubs.
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