A Quote by Van Morrison
[The music is about ] for the purpose of getting people to an excitement level. They feel something, they feel emotions. They're going to go home after that concert and remember it.Maybe they got something out of the experience rather than intellectualizing about what songs mean which is the whole head trip.
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To reach the highest level you have to not just have a dream and focus but you also have to make sure you are writing great songs, and if you feel they're what you want to represent you, that is key. But getting out on the road is key. And get your music out there. Maybe something catches, maybe it gets picked up and used on television, you just never know.
If I don't feel confident about my body, I'm not going to sit at home and feel sorry for myself and not do something about it. It's all about taking action and not being lazy. So you do the work, whether it's fitness or whatever. It's about getting up, motivating yourself and just doing it.
I want my music to be something that people use in order to access parts of themselves. So in that sense, every piece I write is about all emotions at once, about the lines in between. It's never only about one thing or another. It's emotionally getting at those things that we can't really describe - things for which we don't have labels. So yes, it's about something, and it has a use. It's neither about nothing nor about something concrete - it's about what you bring to it as a listener.
Music, as many people have said, is the universal language. Of course points are made which make you think about things, but ultimately it makes you feel. And that's why people remember more songs that have meant something during their life than films. They start to define periods in your life, and that's kind of the beauty of it.
My aim is always catchy songs, or songs with meaning and I want to write music people can relate to, about things anyone could go through, just real, honest music... songs that mean something, songs that are inspired by true life events.
I would then say that there are two kinds of feeling. The first is to feel in the sense of concentrating your emotions on something immediately available for your understanding: you make your understanding out of the emotions you have about it. The second is to feel in the sense of being affected without trying to understand: something is felt, you do not know what, and it is more important to feel it than to try to understand it, since once you try to understand it you no longer feel it.
Anytime something starts to feel like a popularity contest or not about the music, I'd rather just not be involved. I'm not a big high-fiver. That really gets to people around me when we have a No. 1 or something big happen. I'm not a big, 'Let's go have a party about it!'
Anytime something starts to feel like a popularity contest or not about the music, I'd rather just not be involved. I'm not a big high-fiver. That really gets to people around me when we have a No. 1 or something big happen. I'm not a big, 'Let's go have a party about it!
I find that the quest to be perfect and make perfect music is like a black whole. I realize that you can come with the intention to capture a vibe and use a formula, but you have to accept that most of the time its not going to be what you envisioned and you might manifest something better. I think that's been the hardest thing to wrap my head around that most ideas we go for ends up sounding different. I think art in general should be about enjoying the process and the experience. All that matters is if you feel the music and it captures the element your going for.
Music feels like therapy, actually. A lot of people come out of a therapy session and feel like a weight has been lifted - I got it out, I cried, I feel good. I think for me this is just my way of doing that. It's the only avenue I have that fulfills that, that makes me feel good about myself. And I don't mean that in regards to the rewards, or like getting some good review. That's not what it's about. It's more about trying to please myself. It's really sick and weird.
When you're writing songs for yourself, as all artists do, it's about 'me.' It's about what you feel and your emotions. You're trying to get something out of your system about your experiences.
When I give a concert, I know they're not going to hear everything; there might be a lot going on. My individual perceptual and cognitive path through the music is just that: one path through music. My experience will be probably at some level different from other people's, and that multiplicity of experience has to be supported by the music. I might just focus on the cowbell the whole time - maybe I have a fever for more cowbell!
I don't really wanna think about themes. I wanna just think about the experience of the movie. I feel like, as soon as I reduce it to a theme, once I write that sentence, it won't be that great. I feel like there's more potential for it to mean something interesting if I'm not forcing it to mean something I've already decided.
More than anything, I just think about what roles I take on and make sure that it's really something that I feel passionate about if I'm going to leave home and go work.
When you go to a great concert, you feel this arc, almost like the music of a well-chosen set takes you on this trip through emotions and through various forms of intellectual engagement.
And that is something I've heard from many people who immigrate is that when they go back to their home countries, in a way, they think they're going to be embraced and completely feel like they've come home. This disconcerting thing is when you go back there and you feel more foreign than you ever have.
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