A Quote by Wangechi Mutu
I love magazines because they're so dispensable, and they're so quickly consumed. In that way, they're quite honest. They're unashamed about how small an amount of time they're trying to keep our attention.
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Our time and attention is scarce. Art is not that important to us, no matter what we might like to believe... Our love of art is often quite temporary, dependent upon our moods, and our love of art is subservient to our demand for a positive self image. How we look at art should account for those imperfections and work around them. Keep in mind that books, like art museums, are not always geared to the desires of the reader. Maybe we think we are supposed to like tough books, but are we? Who says? Many writers (and art museums) produce for quite a small subsample of the... public.
We went from playing small clubs to quite big stages quite quickly, and a lot of the time, I felt like I was trying to catch up with myself. Figuring out how to take up space was an interesting journey.
The opposite of love is apathy, and hate is really the same as love-if your so consumed with hatred for someone, you might as well be loving them because your thinking about them for the same amount of time.
I wasn't really big enough when I was filming at school for it to affect anyone too much, but I think my friends that were consistently in my videos during that time definitely got attention that they weren't anticipating. I'm not quite sure how they felt about it to be honest.
For all of the advice in the magazines on "How to Keep your Love Alive," the salvation of love is not the prolongation of sexual desire but the shared lifelong cultivation of a romantic lightheartedness that softens conflicts and anxieties and focuses serious attention even as it undermines seriousness as such. It's hard to fall out of love so long as you're laughing together.
For me, my criteria for making films is all about trying to do something different from the last time. So if I catch myself doing too much of one thing, I'm always trying to move away from that, because it's not going to be challenging enough to keep my attention and focus.
There is always an incredible amount of things vying for our attention at home. I'm not saying you should never do the laundry, or pay attention to the kids, but for most of us, we're not present to how much time we spend on those. Anything that wastes your time is a waste of money.
When you're starting out as an actor people are very interested in who you are because they want to know where they can put you. And quite often, and we're all guilty of this is our lives, we judge very quickly and we pigeon-hole people very quickly based on how they look and how they talk and how they dress and we think: "Oh yeah, we know who you are."
It takes time--loose, unstructured dreamtime-- to experience nature in a meaningful way. Unless parents are vigilant, such time becomes a scarce resource, not because we intend it to shrink, but because time is consumed by multiple, invisible forces; because our culture currently places so little value on natural play.
Dogs seek attention from you. But by paying them that attention when they want it, you're reinforcing the bad or hyperactive or anxious behavior that you're trying to avoid. Practice - no touch, no talk, no eye contact - and see how you fare. You might be surprised at how quickly the dog settles down and looks to you as his pack leader for direction.
I study everything that I do to become better all the time at my craft. The beauty for me about being an artist is that the dream will never die because I'm not obsessed with material things and don't care about the money and don't care about the attention of the public but only the love of my fans. For me it's about keeping the dream alive of how much more devoted, how much more honest, how much better of an artist can I become? That's the only fear that I ever have, that the dream will die.
I'm an English songwriter/composer, working in Mandarin and trying to find something about Chinese culture that I really relate to and respect and feel some genuine emotions for - and it's quite hard, the pentatonic scale, and that, in a way, is why I think it works. Because I'm forced to limit myself to quite strict rules about what I did. Maybe that's how I avoided pastiche.
Those who are living the principle of honesty know that the Lord does bless them. Theirs is the precious right to hold their heads in the sunlight of truth, unashamed before any man. Brothers and sisters, the Lord requires his people to be honest. May we desire with all our hearts to be honest in all our relationships and in all the things that we do.
I just keep trying and failing and I will continue to keep trying to see what I can do to try to keep people engaged in the conversation about our Lord and Savior, man. Really that's all I'm trying to do.
Part of our identity is the idea that racism is still there and that we are vulnerable to it. So, the question is, 'How vulnerable?' In other words, is it really a problem for us, or is it just a small thing. How do you evaluate racism in America on a scale of 1 to 10? My suspicion is that most blacks overrate it a bit. Not to say it's not there, but we overrate it because this masking is part of our relationship to the larger society. This is a way we keep whites on the hook. We keep them obligated, and we keep ourselves entitled. There's an incentive, you see, to inflate it a little bit.
Meditation is not a matter of trying to stop thinking or make your mind go blank but rather to realize when your attention is wandering and to simply let go of the thoughts and begin again. It is a way of changing our relationship to our thoughts, so we're not so consumed by them, with no sense of space. Having a newly spacious relationship to our thoughts brings both peace and freedom.
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