A Quote by Wanda Coleman

Many have referred to [Lewis] Carroll's rhymes as nonsense, but in my childhood world — Los Angeles in the '50s — they made perfect sense. — © Wanda Coleman
Many have referred to [Lewis] Carroll's rhymes as nonsense, but in my childhood world — Los Angeles in the '50s — they made perfect sense.
I don't live in Los Angeles. I work in Los Angeles, and even that - I audition in Los Angeles; I very rarely film in Los Angeles. I don't hang out with producers on my off-hours, so I don't even know what that world is like.
I had always wanted to tell a story that was set in Los Angeles in the '50s, because that's where I grew up, and it was the city of my childhood memories.
There are two ways of dealing with nonsense in this world. One way is to put nonsense in the right place; as when people put nonsense into nursery rhymes. The other is to put nonsense in the wrong place; as when they put it into educational addresses, psychological criticisms, and complaints against nursery rhymes or other normal amusements of mankind.
Although Lewis Carroll thought of The Hunting of the Snark as a nonsense ballad for children, it is hard to imagine - in fact one shudders to imagine - a child of today reading and enjoying it.
I always call him Lewis Carroll Carroll, because he was the first Humbert Humbert.
Since I have spent many years of my life living in Los Angeles, and since I'm also in the music business, I know that much more is talked about in Los Angeles than ever really occurs.
Los Angeles has always been overlooked as far as jazz, and just high-level music in general. But, like, my dad's a musician, so I've grown up around so many brilliant musicians that nobody outside Los Angeles knows about.
Is that a pistol in your pocket or are you just glad to see me? (She made this remark in February 1936, at the railway station in Los Angeles upon her return from Chicago, when a Los Angeles police officer was assigned to escort her home)
The Olympics have been an amazing part of Los Angeles' history. In many ways in 1932, they put us on the map when people didn't even know where Los Angeles was. In 1984, they were the first profitable Olympics of the modern era.
Sprawl is the American ideal way to develop. I believe that what we're developing in Denver is in no appreciable way different than what we're doing in Los Angeles - did in Los Angeles and are still doing. But I think we have developed the Los Angeles model of city-building, and I think it is unfortunate.
I think Los Angeles is often portrayed as kind of a petri dish, where bad decisions start and then spread to the rest of the world. I don't see it that way. I feel Los Angeles is a place of almost primal struggle and survival. It's not a city that embraces its inhabitants.
We've got the prettiest girls in the world here in Los Angeles and there's a great music scene. And I learned what I learned about cinema here in Los Angeles so it's always been really important to me as a city to live in and I love making movies about it.
I love Los Angeles, and I've secretly always wanted to do a song about Los Angeles, but it's a hard thing to pull off.
Chicago is seriously my favorite city in the country. People have roots here, which is nice. When you go to Los Angeles, no one is actually from Los Angeles.
My commitment is to Los Angeles, so whatever helps this continue to be a great city, that's what I would be focused to do, and the Dodgers are certainly iconic to Los Angeles.
God, Atlantis was only yesterday. Let alone Los Angeles. Remember that incarnation in Los Angeles?
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