A Quote by Vanessa Bayer

That was a huge part of my training, doing improv in Chicago. — © Vanessa Bayer
That was a huge part of my training, doing improv in Chicago.
Improv is more than just spitting out a bunch of funny stuff that's unrelated to the material. You have to stay in character, you have to react and respond as the character you're trying to play. You have to service the story, and I think improv training has helped with my listening, responding, and my audition technique. It's sounds so silly, but it's true. Because not only do you improvise during the audition, but once you get the part, they'll say, "Throw away everything. Just improv this scene. Do whatever you want." Someone could panic if they're not used to doing something like that.
I had a teacher who recommended I take improv classes in Chicago - I'm from Evanston, Illinois - so I did improv classes at Improv Olympic, and that kind of opened me up.
Improv is such a huge part of my background, and a huge part of character discovery is really being inside the character and trying to think through them without the limitations of the script.
Improv changed my life in the best way. I gained so much confidence and really learned how to use my sense of humor to do something other than make sarcastic comments to the TV, though that remains one of my best skills. I stayed in Chicago for college mainly to continue doing improv, which was an awesome decision for me.
When I started doing improv in Chicago, for every five teams, one or two would have one woman.
My first improv was Second City in Chicago. Before that, I worked at - with a partner, doing comedy sketches.
I actually started working in Chicago while I was still a student; I did the Chicago premiere of 'The History Boys' at the end of my junior year. I had come to Chicago for Northwestern University. I didn't quite know about the theater community, and what I did know was mostly the improv.
I did improv for about 10 years professionally, and before that, I had done it in high school as part of an improv team. It was definitely a big part of my upbringing.
I took an improv class in 2005 in Chicago at ComedySportz, which was short-form, more of a games-based improv. I remember it being real fun and helping with my stand-up. If I did an improv class, and then I did stand-up later, I felt looser on stage and more comfortable.
I'm a huge fan of Chicago sports and Chicago food, and I love going home and my family is still there. I guess it's pretty easy to have a normal life in Chicago.
What brought me to L.A. was work! I moved to Chicago after college - I went to Kalamazoo - did my nerd thing, graduated, and moved to Chicago to pursue improv.
Role-playing games have been a huge part of my life and a huge part of my training as a performer - learning social skills, meeting friends, and being a generally competent person - so I owe a lot to role-playing games.
When you're doing improv for seven years, you're an old soul of the improv world.
In Chicago, anything that you're doing, the community gives it value. Every little improv show, every scrappy reading, and every lead on a Goodman mainstage. It's all a promising opportunity for a young actor.
I'm an improviser. I came up doing improv at the U.C.B. Theater in New York for seven years. That's where I started, so improv is what I love.
When I was training for the Chicago Marathon, I would eat a cup of cereal after an 18-mile long run, and then I'd have to get out the door with nothing but a granola bar in my hand. I can't change my busy schedule with my kids, but I can work harder to improve in this area. I think it's a part of training that most of us find difficult.
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