A Quote by Varun Tej

I like movies where everything is dealt naturally and with a sense of realism. — © Varun Tej
I like movies where everything is dealt naturally and with a sense of realism.
I gravitate much more toward realism, realism in the work that I do, but magical realism got me hooked on film. I think it was my first time realizing that there was something besides popcorn movies.
The idea of us telling a story where a character doesn't get everything he wants at the end is one of the relatable things - dealing with failures and missteps in life - and it's something that's so rarely dealt with in movies, especially kids' movies.
I think a sense of humor is the emotional equivalent of a sense of realism. One should not take everything seriously, and everybody takes some things seriously.
I think where a writer falls on the realism/non-realism continuum has a lot to do with their sight, as in, 'This is how I see the world.' And it seems my sight is off-kilter and kind of strange, but I come by that naturally; I'm not consciously pushing toward a particular point on the continuum.
Realism is a bad word. In a sense everything is realistic. I see no line between the imaginary and the real.
No one is offended at not seeing everything; but one does not like to be mistaken, and that perhaps arises from the fact that man naturally cannot see everything, and that naturally he cannot err in the side he looks at, since the perceptions of our senses are always true.
All I want to do is realism and follow the tradition of realism. And explore what realism should be now be after the ubiquity of smartphones. I'm trying to answer the question. I don't think I'll ever have the words, but hopefully I'll have a few images.
I stopped making movies because I don't like taking my clothes off. Maybe it's realism, but in my opinion, it's utter filth.
It’s funny, I started by making fake American movies, The Transporter and stuff like that. I was shooting in France, but everything was in English. But then afterwards, I was looking at real French movies like the Jacques Audiard movies.
It's funny, I started by making fake American movies, 'The Transporter' and stuff like that. I was shooting in France, but everything was in English. But then afterwards, I was looking at real French movies like the Jacques Audiard movies.
Like all artists, I'm a complete cinephile; I see everything. I see past movies, present movies, indie movies, experimental movies.
I feel like movies are presents, and credits and fonts are bows and wrapping paper. I like everything to feel like it was given a lot of time. I hate it when I watch movies, and it seems like they just went and picked a font and, like, called it a day.
What you've got to do is recognize that you don't control everything for a start, you've got to play the cards you're dealt, the hand of cards you're dealt, as best you can, and that's what I always seek to do.
I think there are things that aren't represented in movies that are a big part of everyone's life. We romanticize everything about people in movies. One of the things I don't like in movies is that people feel alone with their bodily functions in the real world, as if people in the movies don't do these things.
Like most parents, I want everything for my kids that I didn't have. But I don't intend to spoil them. I just enjoy everything that comes naturally with parenthood.
I keep living life as it's dealt to me. Sometimes, it's not dealt 100 percent. Sometimes it's dealt on the low '30s.
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