A Quote by Wassily Kandinsky

I value those artists who embody the expression of their life. — © Wassily Kandinsky
I value those artists who embody the expression of their life.
In the final analysis, we count for something only because of the essential that we embody. If we do not embody that, life is wasted.
Bryan Cranston's advice to actors, it's my favorite thing, and it changed my life. He said: Don't go into an audition to get the job, go to share your work. That was so liberating. You read it, interpret it, embody it the way you want to play that person and embody them with your whole heart and soul for those 20 minutes.
I'm very blue collar myself. So it was easy for me to embody that in a sense. It's much harder for me to embody Norrell than it is to embody Terry Donovan.
For many artists fame complements the value of creative self-expression. Ludwig van Beethoven loved composing music, but he probably would have enjoyed it less if no one ever listened to the product.
In essence, the stock market represents three separate categories of business. They are, adjusted for inflation, those with shrinking intrinsic value, those with approximately stable intrinsic value, and those with steadily growing intrinsic value. The preference, always, would be to buy a long-term franchise at a substantial discount from growing intrinsic value.
Our entire team is focused on managing this company for value - fixing or eliminating those operations that lessen value and expanding or adding those that enhance value.
In essence, the stock market represents three separate categories of business.They are, adjusted for inflation, those with shrinking intrinsic value, those with approximately stable intrinsic value, and those with steadily growing intrinsic value.
Those who put their lives on the line overseas are undoubtedly American heroes, but it's time for us to remember that those who serve in civilian life also embody the American spirit and are worthy of our praise as well.
I love being part of a project that imparts a positive message, is somehow educational or enlightening, helps to bridge differences, or inspires viewers in some way. I believe a lot of artists become activists because we rely on and value the freedom of expression and so we want to protect it.
Social media itself is not protest. To tweet is not to protest physically. To do a Facebook post, and though it's critical and crucial, is not to show up and embody the anger you feel, to embody the righteous outrage you feel, to embody the concern you feel. This is about putting feet to pavement and to register in the consciousness of America that this is something that's problematic.
Abstract expression is so solid, so successful and recognizable, but there's a mystery about the artists that goes into it, a fetishism about the artists themselves and who they were.
Art cannot be separated from life. It is the expression of the greatest need of which life is capable, and we value art not because of the skilled product, but because of its revelation of a life's experience.
Indeed, artists, particularly modern artists, have intentionally limited the scope and vocabulary of their expression to convey, as Mark Rothko and Ad Reinhardt do, the most essential, even spiritual, ideas of their art.
I'd seen all the great entertainers by the time I was 14 or 15. My mother was artistic. My father was a bookmaker, so he had access to all those nightclubs, and he was smitten by certain artists, and we would go see them. We'd see comics like Sid Caesar and Milton Berle - those kind of artists - many of whom I worked with later in my life.
I cannot avoid condemning all those who, from self-conceit have the pretension to imitate great artists of the past. If their powers of emotion be weak, their powers of expression will be likewise.
It's important for artists to value themselves - whatever that means. Everyone's going to take that in a different way. If you don't value yourself, you will be bought and sold.
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