A Quote by Vatsal Sheth
When Ajay was shooting 'U, Me Aur Hum,' I helped him out with the production. It was a great learning experience being behind the camera.
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Well, I tried being in front of the camera as a student and that was terrifying. But the press stuff about me growing up on his [film] sets has been exaggerated. I was an extra as a kid and I was also a PA [production assistant] on one of his movies, so I was lucky to get production experience. But I was nowhere near him.
I've hidden behind the camera my whole life because I much, much, much prefer shooting. Being behind the camera is my safe space, and it's my creative space, too.
I put down the camera long ago, you know? I was here in London, aged 19, and I was obsessed with my camera, shooting everything I could. Then someone stole it. It helped me to see things for the first time.
Shooting on film is great because it imparts discipline: What do you need to see so you're not finding it in the camera. When I'm shooting, I have the scene in mind, where I'm going to have certain lines. I learned to overlap and to shoot more than I think I need. That was the learning curve.
For me, being a complete artist means not necessarily just being in front of the camera, but being behind the camera or being the originator or creator of something.
I was at a Madonna show many, many years ago and I was in the sweet spot and she came out and I mean it was the best part of the show. And I was shooting, shooting, shooting, shooting. And I'm like, "God, I must have shot a hundred pictures have I not run out of film?" And I opened the back of my camera and there was no film in there. So that happened to me only once.
I was working for Ajay Devgn and Kajol's home production film 'Dil Kya Kare' with Prakash Jha. During that, in Bengaluru, while on my way to the studio, I had a massive accident where a truck hit my car, and the glass of my car went into my face mostly. I thought I was dying, and at that point, no one even helped me get to the hospital.
And as an actor, just working with someone as seasoned and professional and kind as Richard Jenkins, it's always a learning experience watching him - on camera and off camera, just soaking it all up.
I was shooting all this time. And there was only one guy who helped to pull him. And I had to think whether I was going to keep shooting or help the guy. And so I kept shooting and then they put him in this little clinic, and I photographed through the window while they had to amputate his leg. And I felt very strange because I didn't - I felt I could have helped, but I didn't help. But then I also felt elated that I was getting a shot that would be important to the film.
Being behind the camera you have control; you have the ability to make decisions for characters, for where the story line's going to go, how you want to put it out there, how you want to edit it. Acting is like where you paint on the canvas, and being behind the camera is like being either the paint or the paintbrush. They're both a part of the creative process, it's just that they have two different functions.
I've discovered that being behind the camera is more fascinating. If I had to choose a profession today, it would have been something behind the camera.
As for Amitabh Bachchan, I worked with him in 'Reshma Aur Shera' where he played a mute character. While shooting I noticed that he expresses a lot through his eyes. Around the same time he did a commentary for 'Bhuvan Shome.' I felt this boy was amazing. He has got both the traits required for being a good actor: voice and expression.
Even though I always knew I had a good nose for fragrances, the process of creating my own, 'Alive,' turned out to be a great learning experience for me. And the name explains my reason behind it. Smelling good makes you feel alive.
I do like being in front of the camera more and more. Having experience behind it has taught me about lighting and angles, how to move, and what looks good and what doesn't.
There is no actor in the world with such talent and charm that could play Deadpool as well as Ryan Reynolds. Working with him was a fantastic experience, and his ideas and suggestions helped me out a lot. It was just great fun to work one-on-one as Deadpool and Colossus.
I want to be the person who eventually doesn't have to be in front of the camera. I can be behind the camera and really change things cinematically, and this is giving me an opportunity to do something behind the camera, which I really want to maximize.
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