A Quote by Vera Lynn

I don't think the singers take it as seriously as we used to. The words, the meaning, the phrasing, the feeling of the song. They see the words, they know the tune and they just sing it.
The words are the important thing. Don't worry about tunes. Take a tune, sing high when they sing low, sing fast when they sing slow, and you've got a new tune.
One thing that I like to do is use words that have never actually been used in a rap song before. I also like to take words that have negative connotations and show their real meaning.
When you don't know how to pronounce words, when you don't know the meaning of the words, how will you imbibe a song with feeling?
One listens to a piece of great music, say, and feels deeply moved by it, and wants to put this feeling into words, but it can't be put into words. That's what - the music has already supplied the meaning, and words will just be superfluous after that. But it's that kind of verbal meaning that can't be verbalized that I try to get at in poetry.
Words are to be taken seriously. I try to take seriously acts of language. Words set things in motion. I've seen them doing it. Words set up atmospheres, electrical fields, charges.
I cannot sing the old songs Though well I know the tune, Familiar as a cradle-song With sleep-compelling croon; Yet though I'm filled with music, As choirs of summer birds, I cannot sing the old songs-- I do not know the words.
The poets are supposed to liberate the words – not chain them in phrases. Who told the poets they were supposed to think? Poets are meant to sing and to make words sing. Writers don't own their words. Since when do words belong to anybody? 'Your very own words,' indeed! And who are you?
Reggae is a message of consolation; a message of salvation. The youth are going to the school and they have to listen to the words. The parents have to listen to the words. God has to listen to the words. So, we have to make it positive. If you sing nursery rhymes, it is nothing. You just blow up tomorrow, and the record dies at the same time. But if you give positive words, that song lives forever.
You give out the words and then sing them. You give out the words, you know, and the people can hear what you're giving out, and they sing that song or that line and they do the same thing again.
I used to wish I could write songs like the others - and I've tried but I just can't. I get the words all right, but whenever I think of a tune and sing it to the others they always say 'Yeah, it always sounds like such a thing' and when they point it out I see what they mean. But I did get a part credit as a composer on one - it was called What Goes On.
I would always sing it (Take Me Out To The Ballgame) because I think it's the only song I knew the words to.
I used to write on pads with a pen but had trouble reading the words the next day. Years later, Bob Dylan taught me to just write and write on a laptop computer. Then I'd print that out. When it was time to write a song, I'd go through the pages and sing melodies to words that moved me.
The words are the words. Seriously. Meaning you don't have boo-boo words. You can do boo-boo things. You can have sex, carnage, mayhem, whatever you're looking for. "The Evil Dead" movies, in my opinion, function better in an unrestricted world.
We didn't take the words of Vladimir Lenin seriously until Communism spread across the globe. And unfortunately, the president didn't take the words of groups like ISIS seriously until they established a sweeping self-proclaimed Islamic Caliphate.
Sometimes writers or writer-directors can get nuts about words, but you know and I know that it's the thought process behind the words that motivates the words, that conveys real communication and meaning.
The hardest part is writing a song as a story. A song is so short and there are only so many words that every line has to hit. The words have to flow. You can't say certain words that sound weird next to each other, you can't repeat words too much.
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