A Quote by Faith Ford
My theory is, if you can do comedy and you can be in a scene with someone like Brad Garrett and hold your own, you've really got a future in this business.
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I grew up fishing and hunting with my dad, knowing Garrett does that, he would fit in so well. I really like Garrett.
A comedy scene can't really have two weirdoes in it. It doesn't make any sense that way, so you need someone to ground it and call out what's unusual about this person and this scene. Early on, I got pretty good at doing that, and I felt pretty comfortable doing that.
[In comedy] you never want to leave the actors hanging out to dry. So you need to come up with funny individual stories for each character, and then you do this sort of comedy geometry, weaving them together. Once you've got a funny structure and you know why the scenes are funny, then you get super funny people to say your own lines, say their own lines, say things in their own way, and every scene is a live rewrite in front of the camera.
Speaking as somebody who's been in the drug scene, it's not something you can go on and on doing, you know. It's like drink, or anything, you've got to come to terms with it. You know, like too much food, or too much anything. You've got to get out of it. You're left with yourself all the time, whatever you do--you know, meditation, drugs or anything. But you've got to get down to your own god and your own temple in your head.
I feel like L.A. is more of a showcase, and Chicago is a pure comedy scene where you're doing comedy for comedy. You're doing comedy actually for the audience that's there.
You have got to compete with them...you have to be working toward a future of your own. A picture of the future of your own that is contradictory to theirs, in which the things that they want to do have no place because you have been so successful at promoting the idea of sex within marriage...focus on transforming the society to be reinforcing of all these ideas...everywhere...When you do that then you create a climate in which these things really cannot get very far.
I really like the Chris-R scene and of course the "you are tearing me apart Lisa" scene. The reason I love the Chris-R scene is because we worked really hard to finish it. It's not just that though, it brings people together. Everyone is one the roof together by the end of the scene. You see the perspectives of the different characters. I feel like with all the connections in this scene that the room connects the entire world
The connection between pathos and broad comedy is very tight. But you do far more work in a comedy scene than you do in a straight scene. It's much harder.
I know that I'm a decent actor, but it's another thing to be in a scene with Jon Hamm and hold your own.
Punk changed everything. It blew away all the dull, pompous stuff that happened before, like glam rock. Kids were getting involved in causes like Rock Against Racism and they needed music that reflected that. Something similar was happening in comedy too, with the Comedy Store and the alternative scene that I got involved in.
But at the end of the day, the circumstances of your life what you look like, where you come from, how much money you have, what you've got going on at home that's no excuse ... Where you are right now doesn't have to determine where you'll end up. No one's written your destiny for you. Here in America, you write your own destiny. You make your own future.
When you're watching a show like this or watching a movie, sometimes when you have big music in a scene, it tends to push the viewer out of the scene and makes someone feel like an audience member rather than like they're in the scene.
I like the rhythm of comedy in dramas, if that makes sense. In other words, I don't want to write setup, punch, setup, punch, where the joke dictates the scene; I want to find comedy in which the drama is actually driving the moment in the scene.
There's no pressure; like Kate said, it is about carving your own future. No one is going to try to fill my mother's shoes; what she did was fantastic. It's about making your own future and your own destiny, and Kate will do a very good job of that.
Well, one of my favorite ones to work on - besides just about any scene from 'Deadwood' - was my scene with Brad Pitt in 'Assassination of Jesse James'. That was just a fun day.
You hold your future in your own hands. Never waver in this belief.
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