A Quote by Veronica Roth
I know that I'll be writing for young adults for a long time. Mostly because I just love the readers and the teachers and librarians that I interact with.
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I love writing for young adults because they are such a wonderful audience, they are good readers, and they care about the books they read.
I never think of my work as writing for a young audience, frankly, because I think it risks talking 'down' to them. The idea is for these books to work just as well as for adults as kids. As for what readers will take away, I just want them to love being in the world and see it as a safe place to explore things that adults are often uncomfortable talking to them about.
I enjoy writing for both kids and adults, though I think I'm better at children's stories because I was a teacher for so long, and I know that audience well. The process is no different whether I'm writing for children or adults. Really, the elements of making a good story are the same.
People are reading more and writing more because of the internet. So the virtual world is a way for me to listen to my readers and interact with my readers. It is a way that they can voice their opinion.
Don't stop now. Go ahead! Be readers all of your lives. And don't forget, librarians and teachers can help you find the right books to read.
People will ask me, "How do you approach writing books for young readers differently than for adults?" My answer is always: I don't change anything about the story itself. I'm going to tell kids the way things really were. What I don't do - and this is the only thing I do differently in writing for kids - is that I don't revel in the gory details. I allow readers to fill in the details as necessary. But I don’t force kids to have to digest something they’re not mature enough or ready for yet. If they are, they can fill in the details even better than I could, just with their imaginations.
I am not in touch with other writers. I don't have very much contact with other writers. I don't get invited to these things or I don't go to them. I hate panels. I speak to librarians and to conferences of English teachers. That's what I do: teachers and librarians. And high school kids.
Students never appreciate their teachers while they are learning. It is only later, when they know more of the world, that they understand how indebted they are to those who instructed them. Good teachers expect no praise or love from the young. They wait for it, and in time, it comes.
I just think of couture clothing as wearable art. So from - to that extent I, you know, I love having the opportunity to just even be able to touch and look at, you know, these pieces of design. In terms of, you know, is it stressful and does it take a lot of time. It's mostly stressful because you're there because you're nominated.
Librarians and romance writers accomplish one mission better than anyone, including English teachers: we create readers for life - and what could be more fulfilling than that?
The librarians that I've spoken to, the teachers and the librarians who really care and do advise parents and children of what's good and what's out there, they are very special. They have a kind of wisdom that a lot of people don't have.
I first wrote for adults, but when I started writing for young people, it was the most creative and liberating experience of my life. I was able to express my own deepest feelings far more than I ever could when writing for adults.
I knew my destiny from a young age. Something happened when I was very young and I didn't know what it meant. And slowly but surely I know this is only getting better. Writing I love. The acting will carry on as long as I can remember lines.
I know I'm writing better now than I ever did for adults because I'm writing for an audience who know that they don't know everything.
Readers who claim a preference for short-form over long often tell me it's because they don't have time to commit to a book-length chunk of writing.
Teenagers watch and listen to all kinds of things. It is the nature of being a teenager to seek out intense stuff. Stuff about death and sex and love and fear. Teenagers are the bravest, most curious, most philosophical, most open-minded readers there are, which is why so many less-than-young adults like writing for them.
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