A Quote by Veronica Roth

People tend to overestimate my character," I say quietly. "They think that because I'm small, or a girl, or a Stiff, I can't possibly be cruel. But they're wrong. — © Veronica Roth
People tend to overestimate my character," I say quietly. "They think that because I'm small, or a girl, or a Stiff, I can't possibly be cruel. But they're wrong.
In 'The Trip,' I play the character named Ananya Makhija, a Delhi girl who wants to get married. This is a different character from whatever I have portrayed onscreen so far - of a sweet, small-town girl. Most importantly, you will not find a trace of my character from 'Masaan.' So, I think this will change my image of a small-town girl.
I'm always attracted to lower budget, not because it's lower budget, but because they tend to be better scripts. It's the scripts that tend to be the small arthouse film that tend to be more actor-led and character driven.
I'm always drawn to the thing I think I can't possibly do, because I tend to be better when I think I can't possibly do something than I am when I'm pretty sure I can do something.
Herbert Hoover was a man of genuine, fine character, but he lacked practical political sense. And he couldn't bend and shift and change with the requirements of the time. And he was a ruined President, because he was such a, I think, stiff-backed ideologue. And I think that speaks volumes about his character.
People say I'm a nice girl saying terrible things. I tend to say the opposite of what I think. You hope that the absolute power of that transcends, and reaches the audience.
I start from the supposition that the world is topsyturvy, that things are all wrong, that the wrong people are in jail and the wrong people are out of jail, that the wrong people are in power and the wrong people are out of power, that the wealth is distributed in this country and the world in such a way as not simply to require small reform but to require a drastic reallocation of wealth. I start from the supposition that we don't have to say too much about this because all we have to do is think about the state of the world today and realize that things are all upside down.
I think people are very stiff. Money makes people stiff, and we want it, and we have to pay the penalty. I never agreed with stiffness. I think people have an understanding of what their life is. I define success by being a realist and not humiliating people. I'm a revolutionary - but not in the political sense.
I don't think you can control people. I don't think you manage people. I think you give people a direction, you give them the resources, you lead by example. They get it right, you say, 'Atta girl.' And they get it wrong, you say, 'Not good.'
I tend to write about towns because that's what I remember best. You can put a boundary on the number of characters you insert into a small town. I tend to create a lot of characters, so this is a sort of restraint on the character building I do for a novel.
I think you can meet the right girl at the wrong time, and it gets screwed up. If you meet the right girl at the wrong time, that girl has to be the most understanding person in the world because there's going to be a lot more bumps in the road.
Everyone is afraid of you and when folk are afraid of a person it usually means the person is cruel in some way, and I think you are cruel, Miss Marquess, but please don’t punish me for saying it. I think you know you’re cruel. I think you like being cruel. I think calling you cruel is the same as calling someone else kind. And I don’t want to run errands for someone cruel.
Laws can be wrong and laws can be cruel. And the people who live only by the law are both wrong and cruel.
I do tend to think that I've written a great deal out of my unconscious because half the time I don't know what a given character is going to say next.
The question we should be asking is not why people are sometimes cruel, or even why a few people are usually cruel (all evidence suggests true sadists are an extremely small proportion of the population overall), but how we have come to create institutions that encourage such behavior and that suggest cruel people are in some ways admirable-or at least as deserving of sympathy as those they push around.
I think interventions tend to be wrong. That doesn't mean to say that every intervention has been a disaster, but it does mean that generally they tend to screw up.
You think my first instinct is to protect you. Because you're small, or a girl, or a Stiff. But you're wrong." He leans his face close to mine and wraps his fingers around my chin. His hand smells like metal. When was the last time he held a gun, or a knife? My skin tingles at the point of contact, like he's transmitting electricity through his skin. "My first instinct is to push you until you break, just to see how hard I have to press." he says, his fingers squeezing at the word break. My body tenses at the edge in his voice, so I am coiled as tight as a spring, and I forget to breathe.
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