A Quote by Vivek Shraya

As a general rule, I tend to collaborate with artists whose work I admire. — © Vivek Shraya
As a general rule, I tend to collaborate with artists whose work I admire.
If you succeed at all, you find yourself suddenly working with artists whose work you don't just admire but you deeply love.
Breughel is an example of an artist - I mean, this is true about artists and painters in general, but he is a specific example of an artist whose work contains more than you think it does at first glance. Whose work rewards, sustains attention and looking.
When I decided I wanted to go to drama school, I realized that a lot of the actors whose careers I really admire and whose work I really admire were English and English trained. I felt there was a real vocational feel to work in the U.K.
The most effective tool I have to work with artists I admire is to point to other artists that I admire and show that I've worked with them many, many times. It's not because I have option deals; it's because they want to keep working with us.
I collaborate with Tidal because they're for the artists - the up and coming artists and the O.G.s in the game. It's like a home, the only place we have for the artists to find support.
If you look at any designer you admire, whose work inspires you, and whose approach somehow resonates with you, I promise you'll find a person who does not think of what they do as just their job
As a general rule, people tend to do best what they enjoy doing most.
There are two great rules of life; the one general and the other particular. The first is that everyone can, in the end, get what he wants, if he only tries. That is the general rule. The particular rule is that every individual is, more or less, an exception to the rule.
Now what I like is that other artists know my work and are interested in me or want to collaborate.
What's good about many people liking the work is that when I want to collaborate or am interested in the synergy of artists working together, nobody ever says no to me when I ask to work with them.
Some of the stories I admire seem to zero in on one particular time and place. There isn't a rule about this. But there's a tidy sense about many stories I read. In my own work, I tend to cover a lot of time and to jump back and forward in time, and sometimes the way I do this is not very straightforward.
I love artists whose work feels animated! Matt Cummings, Ian McGinty, Jake Myler, Arielle Jovellanos, Drew Rausch, Zachary Sterling, Troy Little - I feel like most of the artists I've worked with have a lot of movement and life in their work.
I didn't want to just work within Hollywood when I started a production company. I wanted to be able to collaborate with great artists from all over the world.
It’s time for a streaming service that is centred around and driven by the artist community directly. Artists are prolific beyond a new recording every two years. They perform, tour, record, and collaborate constantly. Uprise.fm will not only make these rare and unique recordings available, we will ensure that the artists are fairly compensated for this work.
Bad artists always admire each others work.
I have noted that, barring accidents, artists whose powers wear best and last longest are those who have trained themselves to work under adversity. Great artists treasure their time with a bitter and snarling miserliness.
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