A Quote by Vivian Gornick
I was never an activist, in the sense that I didn't really join a lot of organizations. I wasn't out in the streets. But what I did become was a writer. My activism was in writing.
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I was writing at a really young age, but it took me a long time to be brave enough to become a published writer, or to try to become a published writer. It's a very public way to fail. And I was kind of scared, so I started out as a ghost writer, and I wrote for other series, like Disney 'Aladdin' and 'Sweet Valley' and books like that.
I've never had a mentor personally of any kind. It feels like, generally, in the writing world or the art world, it's more of a thing in America, because you have writing programs, which we don't have. You have these amazing writers who are teachers. I never did a writing program so I never met a writer until I was published. I guess I can't really explain my compulsion for writing these kind of mentor characters.
When you're a 20-something grassroots activist, and you're deciding how to spend your time and money to make a difference, it makes a lot of sense to cause a million in damage with just $100 of investment. That's a better return than any other form of activism I've been involved in.
The process of writing can be a powerful tool for self-discovery. Writing demands self-knowledge; it forces the writer to become a student of human nature, to pay attention to his experience, to understand the nature of experience itself. By delving into raw experience and distilling it into a work of art, the writer is engaging in the heart and soul of philosophy - making sense out of life.
I think that the activism I've become involved with informs and enhances my life in a lot of ways, and definitely career-wise. This record wouldn't exist [without that activism], for one.
If you are destined to become a writer, you can't help it. If you can help it, you aren't destined to become a writer. The frustrations and disappointments, not even to mention the unspeakable loneliness, are too unbearable for anyone who doesn't have a deep sense of being unable to avoid writing.
[When we drop our agendas] we begin to cultivate a mind of true goodness and compassion, which comes out of a concern for the Whole. As we live out of such a mind, we become generous, with no sense of giving or of making a sacrifice. We become open, with no sense of tolerance. We become patient, with no sense of putting up with anything. We become compassionate, with no sense of separation. And we become wise, with no sense of having to straighten anyone out.
Just writing a lot doesn't necessarily make you a better writer. You have to hear yourself as a writer, and the best way to do that is to read your writing out loud.
I'm a novelist, I'm not an activist. I'm not a non-fiction writer, I'm not a journalist. I'm not a foodie, I'm not even really an animal person, or an environmentalist. I did the best I could with this, but it's not who I am.
I was really from the streets, and I really did hustle in a major way. When I got my record deal, I left the streets alone as far as hustling. I never, ever hustled again. I said, 'I'm gonna change my life, I'm going legit. This is where I'm at.'
That is as true for fiction or non-fiction. The writer has to really know their subject. It is really important to remember that the readers are a lot smarter than the writer. Also, good writing has to do with rewriting. You will never get it right the first time. So you rewrite and rewrite again until you get it right. Until you, and the reader, will be able to visualize what you're writing about.
I never set out to become 'famous.' I mean, when you're 14 you think 'I'm gonna become a writer and people will want my autograph and that'll be cool,' but you grow up and you learn that's just not how the world works. I resigned myself to the fact that I would probably never be published and if I did it probably wouldn't be a big deal.
Write a lot and hit the streets. A writer who doesn't keep up with what's out there ain't gonna be out there.
I guess because the shows were activist in their own way - the marriage of my public activism and my career activism, you know - people understand me very well. They also understand there's a very strong bipartisan part in all of this.
I really looked up to Tina Fey as a writer, and because I did have a background in writing, she is someone whose career I really did admire.
Over the years, I've found that I either live life or write about it. I can't seem to do both simultaneously - I have to do it sequentially. When I write incessantly, I lose touch with the issues and passions that fuel the work. But when I get too involved in organizations or movement endeavors, I almost forget that I'm a writer. It's a constant struggle to find a balance between these two worlds - the solitary writing life and the life of a social justice activist.
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