A Quote by Viggo Mortensen

The Holocaust movie is almost a genre in itself these days. — © Viggo Mortensen
The Holocaust movie is almost a genre in itself these days.
Entourage [movie] really is established as a genre unto itself, much like the thriller or the horror movie or the comedy. And those things trend.
One of the things that separates a good genre movie from a bad genre movie, I always think, ironically, is when you care about the people. The dime a dozen ones are where you don't have any awareness of the character.
The establishment of the state of Israel is not the result of the Holocaust. It is almost a result of the fact that the Holocaust was not totally successful.
What I think is sad about the rom-com genre is that it has adopted this pejorative title. I think the reason why there haven't been as many great ones is because we are fighting against the genre itself. If it is a romantic comedy then snuggle up to the fact that it can be a really earnest, refreshing feeling to feel good after a movie.
The 'Western' is the only genre whose origins are almost identical with those of the cinema itself.
I think of Terrence Malick's movie Days of Heaven - one of Richard Gere's first movies - you can push pause on almost any image in the movie and it looks like a painting.
I do love science fiction, but it's not really a genre unto itself; it always seems to merge with another genre. With the few movies I've done, I've ended up playing with genre in some way or another, so any genre that's made to mix with others is like candy to me. It allows you to use big, mythic situations to talk about ordinary things.
How to make a scary movie human, take a movie like Sinister. How can I make that guy so real so that the scary elements of it are more scary and it functions as a genre movie - as the way it's supposed to, you want to hear a ghost story at midnight, that's a good one - but how do you fill it up with humanity inside, in staying true to the genre? You know? Does that make sense?
I do think that once a horror genre is commonly parodied in other movies it sort kills that genre or that specific take on that genre. Once it sort of becomes a joke in and of itself, so you have to push and find something new.
I try to follow my instinct as a moviegoer and I do the thing I would love to see it at a movie. I'm like everyone, almost, I go to a movie once a week. I like every kind of film if it’s well made. I’m fine. I’m not a specialist fighting for a genre of film. You just have to follow your instinct.
Since many people have been asking me to elaborate on why I think "Inglourious Basterds" is akin to Holocaust denial, I'll try to explain what I mean as succinctly as possible, by paraphrasing Roland Barthes: anything that makes Fascism unreal is wrong. For me, "Inglourious Basterds" makes the Holocaust harder, not easier to grasp -- as a historical reality, I mean, not as a movie convention. Insofar as it becomes a movie convention, it loses its historical reality.
When you're doing a comedy and you want to somehow satirise people who are taking themselves seriously, I think the most serious genre is the thing you're going to get the most out of. If you're trying to satirise a comedy, it's hard to do that - it doesn't really work as well. But I love the war movie genre and I'm a fan of all those movies that are part of what this movie is.
I've always tried to stay away from playing Jews. I get like 20 Holocaust scripts a month, but I hate the genre.
I do think, even though I've made these genre movies, there's what happens in the movie and then there's what the movie's about. And for me, what the movie's about is so much more interesting.
I don't have a favorite genre. I think 'genre' is a literary term. I don't have a favorite kind or type of movie. I like the ones that are good.
It's been almost 10 years since I had done an out-and-out action movie, as I have also been diversifying into roles of other genre.
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