A Quote by Vidya Vox
My music is a whole reflection of who I'm as an individual.
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My music is a very personal reflection of me, whereas, acting a role, thats a reflection of another character.
My music is a very personal reflection of me, whereas, acting a role, that's a reflection of another character.
Realization doesn't destroy the individual any more than the reflection of the moon breaks a drop of water. A drop of water can reflect the whole sky.
I think that everything in the world around us is a reflection of what is going on inside of us. So each of us as an individual creates a life - we draw to us certain people and events and circumstances that reflect what's going on inside of us, so we can literally look at our life and see a mirror of our own consciousness. And if that's true on an individual level, it's also true that what's going on in the world in a bigger way is a reflection of the collective consciousness.
The individual (no matter how well-meaning he might be, no matter how much strength he might have, if only he would use it) does not have the passion to rip himself away from either the coils of Reflection or the seductive ambiguities of Reflection; nor do the surroundings and times have any events or passions, but rather provide a negative setting of a habit of reflection, which plays with some illusory project only to betray him in the end with a way out: it shows him that the most clever thing to do is nothing at all.
Music is the basis of the whole creation. In reality the whole of creation is music, and what we call music is simply a miniature of the original music, which is creation itself, expressed in tone and rhythm.
While all the pomp and circumstance of war animated others, it only saddened me; and all of past reflection, all of future dread, made the whole grandeur of the martial scene, and all the delusive seduction of martial music, fill my eyes frequently with tears.
Music is a reflection of who you are, and if those things that you mentioned are what your music is all about, then I guess that's who you are.
The way I make music is just a reflection of how I think music should be made. Where you sit in a studio, and you make music, and you use technology to your advantage, not to hide all the blaring mistakes.
Society is just a structure with no soul. The soul is of the individual. One individual outweighs all societies. And, one individual's revolution outweighs all revolutions in the whole of history, because one man can become the womb for God to be reborn.
I don't think people really do listen. We plug into music, and we have short attention spans. We tend to download individual tracks from iTunes rather than a whole album. We buy music DVDs and watch them once, and then they disappear into a drawer, or we loan them to a friend, and we never watch it again.
What we call music in our everyday language is only a miniature, which our intelligence has grasped from that music or harmony of the whole universe which is working behind everything, and which is the source and origin of nature. It is because of this that the wise of all ages have considered music to be a sacred art. For in music the seer can see the picture of the whole universe; and the wise can interpret the secret and nature of the working of the whole universe in the realm of music.
The reflection of the world is blues, that's where that part of the music is at. Then you got this other kind of music that's tryin' to come around.
When I give a concert, I know they're not going to hear everything; there might be a lot going on. My individual perceptual and cognitive path through the music is just that: one path through music. My experience will be probably at some level different from other people's, and that multiplicity of experience has to be supported by the music. I might just focus on the cowbell the whole time - maybe I have a fever for more cowbell!
I don't fight in chase of an individual. I hear this sometimes where fighters work their whole careers to reach a matchup with a certain individual. I do not think in that way.
The rhythm, the sounds, the tonality, the chord sequences, the individual effect of each instrument and each section of the band - I'm talking about a whole continent in my music.
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