A Quote by Vik Muniz
When you organize your work and look back at your entire production, it may feel like you're looking at a straight line, but in fact it's nothing like that. The work is very experimental and most of the time it develops like branches. I usually see a capillary, like a tree shape where there are... branches that sort of move because you're not tending to them.
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To lose a brother is to lose someone with whom you can share the experience of growing old, who is supposed to bring you a sister-in-law and nieces and nephews, creatures who people the tree of your life and give it new branches. To lose your father is to lose the one whose guidance and help you seek, who supports you like a tree trunk supports its branches. To lose your mother, well, that is like losing the sun above you. It is like losing--I'm sorry, I would rather not go on.
The notion that I do my work here, now, like this, even when I do not feel like it, and especially when I do not feel like it, is very important. Because lots and lots of people are creative when they feel like it, but you are only going to become a professional if you do it when you don't feel like it. And that emotional waiver is why this is your work and not your hobby.
Yeah, it's odd when you look back at your own work. Some filmmakers don't look back at their work at all. I look at my work a lot, actually. I feel like I learned something while looking at stuff I've done in terms of what I'm going to do in the future, mistakes I've made and things at work or what have you.
The forest stretched on seemingly forever with the most monotonous predictability, each tree just like the next - trunk, branches, leaves; trunk, branches, leaves. Of course a tree would have taken a different view of the matter. We all tend to see the way others are alike and how we differ, and it's probably just as well we do, since that prevents a great deal of confusion. But perhaps we should remind ourselves from time to time that ours is a very partial view, and that the world is full of a great deal more variety than we ever manage to take in.
bent like the branches of a tree broken like the pieces of my heart cracked like the seventeenth moon shattered like the glass in the window the day we met
I always thought jazz was like the trunk of a tree. After the tree has grown, many branches have spread out. They're all with different leaves and they all look beautiful. But at the end of the season, they fold back up and it's still the tree trunk.
After I did the drawings of trees combining them with words, I started doing - I did that for a very short time. Then it kind of - that sort of evolved into just showing the branches of a tree coming down into the trunk and then going into the root system. So I showed both the branches and the roots of a tree, which were about equal. There is as much going on under the ground as is going on above the ground, which you can see.
Alec raised his blue eyes."Whos Will?" Magnus exhled a sort laugh."Will.Dear God.That was a long time ago.Will was a Shadowhunter,like you.And yes,he did look like you,but your nothing like him.Jace is much more the way Will was,in personality at least-and my relationship with you is nothing like the one I had with Will.Is that whats bothering you?" "I dont like thinking your only with me because I look like so dead guy you liked.
There's the tree with the branches that everyone sees, and then there's the upside-down root tree, growing the opposite way. So Earth is the branches, growing in opposing but perfect symmetry. The branches don't think much about the roots, and maybe the roots don't think much about the branches, but all the time, they're connected by the trunk, you know?
For the most part, I meet people who are like 'I really like your work. I'm watching your career. I want to see you do well. Keep doing what you do.' I get that so much, and it's so reassuring. I often wish that so many people, who just work normal jobs, could get a pat on the back as much as I do, because it's very complimentary.
I think it is very important that you like yourself for who you are and not want to look like anyone else. You also have to understand, many people have had cosmetic surgeries in order to look the way they look. So why look like them when you can just look like you? And there is nothing wrong with looking like you.
I feel like I've had very few bad experiences but even those I look back on and really feel like if it weren't for them, I wouldn't be where I am. I look back on them all the time and constantly feel like I owe it to the other projects that I've made that have gotten me to where I am.
If you look at a shape like a straight line, what's remarkable is that if you look at a straight line from close by, from far away, it is the same; it is a straight line.
If you connect with an artist because of what they make as a body of work, you feel like they're your friend. You feel like you're on the journey of connection with them because they see the world the same way you do. That's so powerful, and if you use that, you can genuinely change minds.
I don't like to work for politicians because I hate to work on anything that you can't give back if it doesn't work. I sell products. I do a commercial for, say, Meow Mix, and you don't like it, you get your money back. You can return it. Politicians, you can't return. You're with them for four more years. And that's scary.
I like that I'm in shape but still look like a woman. I don't feel like I've had to give up my femininity to be an athlete. I feel good about my body because I work hard every day, and I still look and carry myself as a woman - a strong woman.
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