A Quote by Vic Chesnutt

Other people write about the bling and the booty. I write about the pus and the gnats. To me, that's beautiful. — © Vic Chesnutt
Other people write about the bling and the booty. I write about the pus and the gnats. To me, that's beautiful.
Discover the time of day when you write best, and write then. For me it's about 7 am to noon. For other people it's overnight. Try not to do anything other than write between those times.
People write about getting sick, they write about tummy trouble, they write about having to wait for a bus. They write about waiting. They write three pages about how long it took them to get a visa. I'm not interested in the boring parts. Everyone has tummy trouble. Everyone waits in line. I don't want to hear about it.
Largely I write from life. ... I write from what happens to me. Mostly about love. People notice the other stuff more but I write mostly about love.
People ask me: "Why do you write about food, and eating, and drinking? Why don't you write about the struggle for power and security, and about love, the way the others do?" . . . The easiest answer is to say that, like most other humans, I am hungry.
I don't write about sex because it's not really my subject. I love it when other people write about it, but it's not my subject, and I don't want anyone I've had sex with to write about it. Plus, you're in front of an audience, and they picture wherever you're writing about. I'm 52; no one in the audience wants to picture that.
I don't know how other people have a topic or have a goal when making a song, like, 'Let's write about this, or let's write about that.' It's kind of difficult for me. Personally, I like vibing out and freestyling.
I write about the power of trying, because I want to be okay with failing. I write about generosity because I battle selfishness. I write about joy because I know sorrow. I write about faith because I almost lost mine, and I know what it is to be broken and in need of redemption. I write about gratitude because I am thankful - for all of it.
Someone wanted me to write a profile for ESPN about the commissioner of baseball, and I said, "He's just some suit! Some Republican. No!" I mean if you want me to write about baseball, boxing or football, I'll write about those things because I watch them, I think about them a lot and I like them. But I don't want to write about Barry Bonds.
I could never write about the sort of people John Cheever or John Updike or even Margaret Atwood write about. I don't mean I couldn't write as well as they do, which of course I couldn't; they're great writers, and I'm no writer at all. But I couldn't even write badly about normal, neurotic people. I don't know that world from the inside. That's just not my orientation.
I write about people in small towns; I don't write about people living in big cities. My kind of storytelling depends upon people that have time to talk to each other.
I don't think you can write from a reactive place. I think you just write the thing you want to write about, and if other people are writing about it, that doesn't really come to bear on what you want to do.
I just love to play rock and roll. I love to write songs all the time about what's up on these streets. I write songs about people getting killed; I write songs about people getting beaten up; I write songsabout people getting taken to jail by the police; and I also write songs about love and happiness.
People say, write what you know, but it's really, write about what obsesses you. Write about what you're thinking about all the time.
I write about presidents. That means I write about guys - so far. I'm interested in the people closest to them, the people they love and the people they've lost... I don't want to limit it to what they did in the office, but what happens at home and in their interactions with other people.
I don't write about good and evil with this enormous dichotomy. I write about people. I write about people doing the kinds of things that people do.
I write about what I'm thinking about. I write about what is bothering me or what is a political, aesthetic, or ethical issue or something, and then I figure out how to do it. I don't write essays that kind of just sustain one thought. I tend to move around because that's what I like.
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