A Quote by Victor Banerjee

Make it compulsory that at least four weeks in a year the theaters have to screen local films and let them choose the time. That's how you have to encourage the industry. — © Victor Banerjee
Make it compulsory that at least four weeks in a year the theaters have to screen local films and let them choose the time. That's how you have to encourage the industry.
In Pakistan, our medium is the small screen. We don't make many films, and hardly have theaters. A majority of people seek entertainment while sitting at home and TV gives it to them, so we excel on that part.
We live in an age now where people go to the movies and, even the biggest movies are in the theaters six, eight weeks and then gone. And then for the rest of time now people are watching them on their phones, or computers, or TVs. And that's how the films gonna live.
Well the Bombay film wasn't always like how it is now. It did have a local industry. There were realistic films made on local scenes. But it gradually changed over the years.
TV [series] is a six-year decision. It's not four or five weeks. If a filmmaker and I don't get along, it's four weeks of your life, so whatever.
I wish, to be honest with you, for African American films that we could get a few more theaters. They only open them in 1500 to 2000 for an opening weekend, and how do you expect us to compete. How can we go to certain box office levels if they don't give us more theaters?
Some critic complained about how many small films are released in New York... it annoyed me. Those small films that are lucky to get two weeks are often my favorite films of the year.
There's many more films being made in America than there are in Australia. You make four hundred and fifty films a year, we make twenty-five.
If I listen to 120 stories, I'd love 10 of them, seven would go on floors, four would get completed, three films will have the first copy ready, and one will release in theaters. This is how it has been for me.
Life sort of shrinks and you get older, I don't know if I'm going to have time to do all the things and be all the places as I want to be. Wisconsin's really sacred for me, so no matter what happens, where I end up permanently living, I'll be spending weeks and weeks at least of the year, no matter how many years I live, in the northwestern Wisconsin area.
When I started making films, all the theaters, the screen would slide open the widest possible point, and that would be widescreen. But now, theaters are geared up for around 16:9, so scope is now 'letterboxed.' In a way, if you want the big picture, you shoot 16:9.
If I were a dictator I should make it compulsory for every member of the population between the ages of four and eighty to listen to Mozart for at least a quarter of an hour daily for the coming five years.
And it was out in the theaters in two weeks. This is not, 'We're going to develop twenty-five and maybe one's going to get made,' so the first three things I wrote got up on the screen and, good, bad or indifferent, I got to see them on their feet.
As borders take time to reopen, we will make sure the Government spends our reserves to nurture strong local businesses. To grow local supply chains. And to encourage innovation. This is important because local businesses will be Singapore's growth catalyst in our post-COVID economy.
We encourage others to find a local Earth raper and make them pay for the damages they are inflicting on our communities... Furriers, meat packers, bosses, developers, rich industry leaders are all Earth rapers . We must inflict economic sabotage on all Earth rapers.
The best time to release a film is on a festive date like Divali or Eid, or at a time when there are no big films three to four weeks before or after.
People think that I have some idea about how I choose my films. I make sure that I am doing the kind of films that I want to watch. You hear so many stories, and one of them will stand out and connect to you somewhere.
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