A Quote by Victor Hugo

The ideal and the beautiful are identical; the ideal corresponds to the idea, and beauty to form; hence idea and substance are cognate. — © Victor Hugo
The ideal and the beautiful are identical; the ideal corresponds to the idea, and beauty to form; hence idea and substance are cognate.
The torch is a symbol of the Olympic Games, of peace and togetherness. It's a good idea. And this idea is being misused. I believe in the Olympic ideal and in the torch that symbolizes this ideal. We should be condemning not those who have this ideal, but those who try to destroy it.
The aesthetic dimension of the ideal state comes out in the idea of harmony, which is the classical idea of beauty as "concinnitas" or "unity-in-variety".
Look, "Gender trouble" includes a critique of the idea that there are two ideal bodily forms, two ideal morphologies: the masculine and the feminine. I want to suggest that today the intersex movement is very engaged with criticizing that idea.
The American ideal of sexuality appears to be rooted in the American ideal of masculinity. This idea has created cowboys and Indians, good guys and bad guys, punks and studs, tough guys and softies, butch and faggot, black and white. It is an ideal so paralytically infantile that it is virtually forbidden - as an unpatriotic act - that the American boy evolve into the complexity of manhood
Formerly it was the fashion to preach the natural; now it is the ideal. People too often forget that these things are profoundly compatible; that in a beautiful work of imagination the natural should be ideal, and the ideal natural.
The ideal of universal literacy, in the West anyway, was first of all a Protestant idea - that everybody had to be able to read to save their soul. That idea got transposed into an idea of the importance of literacy for democratic citizenship.
I think in the '70s that there was a general feeling of chaos, a feeling that the idea of the '60s as 'ideal' was a misnomer. Nothing seemed ideal anymore. Everything seemed in-between.
All the controversialists who have become conscious of the real issue are already saying of our ideal exactly what used to be said of the Socialists' ideal. They are saying that private property is too ideal not to be impossible. They are saying that private enterprise is too good to be true. They are saying that the idea of ordinary men owning ordinary possessions is against the laws of political economy and requires an alteration in human nature.
The great attraction of fashion is that it diverted attention from the insoluble problems of beauty and provided an easy way -- which money could buy... to a simply stated, easily reproduced ideal of beauty, however temporary that ideal.
Blessed is he who carries within himself a God, an ideal, and who obeys it: ideal of art, ideal of science, ideal of the gospel virtues, therein lie the springs of great thoughts and great actions; they all reflect light from the Infinite.
When developing an idea, I remind myself not to start with compromise. I envision the ideal manifestation of the idea, as if I had no limits in resources, materials, or permission.
That is why all great men are modest: they consistently measure themselves not in comparison to other people but to the idea of perfection ever present in their minds, an ideal infinitely clearer and greater than any common people have, and they also realize how far they are from fulfilling their ideal.
We are not beautiful because we fit the popular ideal of beauty, and we are not ugly or unattractive because we don’t measure up. Our beauty as human beings is not derived from ourselves. It comes from a beautiful God.
It is sometimes said that the tragedy of an artist's life is that he cannot realise his ideal. But the true tragedy that dogs the steps of most artists is that they realise their ideal too absolutely. For, when the ideal is realised, it is robbed of its wonder and its mystery, and becomes simply a new starting-point for an ideal that is other than itself.
A large portion of human beings live not so much in themselves as in what they desire to be. They create what is called an ideal character, in an ideal form, whose perfections compensate in some degree for the imperfections of their own.
Every suggested idea produces a corresponding physical reaction. Every idea constantly repeated ends by being engraved upon the brain, provoking the act which corresponds to that idea.
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