A Quote by Victor Moses

It was Cosmos who actually told Crystal Palace about me. Palace came to have a look, liked what they saw, and they took it from there. — © Victor Moses
It was Cosmos who actually told Crystal Palace about me. Palace came to have a look, liked what they saw, and they took it from there.
When Sunderland turned down an offer for me from Crystal Palace I went to see Moyes in his office three or four times. I was angry. I told him: 'Accept Palace's bid and just let me leave - it is the best thing for all concerned.' But he said that he wanted to keep hold of me.
I started playing for a team called Cosmos in the Tandridge League before I went for a two-week trial with Palace. They must have liked what they saw.
When I was 11 my school held a sports day near Crystal Palace. We were told we were going to play a rugby match. The ball was eventually passed to me and I was obviously expected to run with it. I took one look at all these players charging towards me, placed the ball on the ground and walked off the pitch.
It took me a little bit of time in the Premier League. I came back from an ACL and got one goal in I think six months at Crystal Palace. It wasn't great but I got to grips with the Premier League, started to understand what it's about because it's very different to the lower leagues.
It may merely be apocryphal that when the Wizard saw the glass bottle he gasped, and clutched his heart. The story is told in so many ways, depending on who is doing the telling, and what needs to be heard at the time. It is a matter of history, however, that shortly thereafter, the Wizard absconded from the Palace. He left in the way he had first arrived-- a hot-air balloon-- just a few hours before seditious ministers were to lead a Palace revolt and to hold an execution without trial.
Go back to The October Palace, which came out in 1994, and there are poems with windows, doors, the rooms of the gorgeous and vanishing palace that is this ordinary world and ordinary life. Jungian archetype would say the house is a figure for the experienced, experiencing self.
The earth's biosphere could be thought of as a sort of palace. The continents are rooms in the palace; islands are smaller rooms. Each room has its own decor and unique inhabitants; many of the rooms have been sealed off for millions of years. The doors in the palace have been flung open, and the walls are coming down.
By reason of his elegance, he resembles an image painted in a palace, though he is as majestic as the palace itself.
Iain Dowie famously coined the phrase 'bouncebackability' to describe Crystal Palace's ability to come from behind. But this is a typical manager's idea, so optimistic. What fans are interested in is 'throwawayability': which teams toss away hard-earned leads? Now we know that 'throwawayability' exists because we proved last season that 'bouncebackability' exists (although, hilariously, Palace don't have it) and 'throw-awayability' is the flip side of it.
I think Crystal Palace is always a tough place to go.
Crystal Palace were my first club and one I hold dear to my heart.
As late as the seventeenth century, monarchs owned so little furniture that they had to travel from palace to palace with wagon-loads of plate and bedspreads, of carpets and tapestries.
Coming to Crystal Palace, I'm really excited to be playing. There's still massive competition here.
The year was 1882. The palace was the Luxembourg Palace: the ball, the Senat Bal, held at the beginning of autumn. It was still warm, and so the garden was used as well. I was the soprano. I was Lilliet Berne.
I am the Crystal Palace DJ. I'm the guy who gets us going. I play the songs.
Prostitution in the towns is like the cesspool in the palace; take away the cesspool and the palace will become an unclean and evil smelling-place.
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