A Quote by Victoria Aveyard

I didn't have a desk to write 'Red Queen' on, so I got a nice writing desk. — © Victoria Aveyard
I didn't have a desk to write 'Red Queen' on, so I got a nice writing desk.
There was a sergeant at a desk. I knew he was a sergeant because I recognized the marks on his uniform, and I knew it was a desk because it's always a desk. There's always someone at a desk, except when it's a table that functions as a desk. You sit behind a desk, and everyone knows you're supposed to be there, and that you're doing something that involves your brain. It's an odd, special kind of importance. I think everyone should get a desk; you can sit behind it when you feel like you don't matter.
In my home office, I built a custom sit-stand desk to which I connected a big, kidney shaped glass top which I got for cheap at Ikea. Kidney-shaped desk tops are, I think, the most efficient of all possible desk shapes.
It seemed to me that I should have a desk, even though I had no real need for a desk. I was afraid that if I had no desk in my room my life would seem too haphazard.
Go to the desk. Stay at the desk. Thrive at the desk.
My desk is right next to my bed. So I sit on my bed. I write in a big notebook which is on the desk. And if I feel drowsy, I just have to slide into bed.
I, for one, find writing excruciating. Some mornings, as I'm on my way to my desk, my hands actually tremble with fear. The fear, of course, is that I'll sit down at the desk and discover that what I've written is claptrap. Fear inevitably leads to procrastination.
I can only write new words at my desk, the one I've owned for 25 years. When we moved to our new house I designed my office around it. I've written everything I've ever written at this desk.
Writing helped to have jobs that involved running around, pushing things like dish carts and wheelbarrows. It would be hard to sit at a desk all day, and then come to sit at another desk. Also, it helps to abandon hope. If I sit at my computer, determined to write a New Yorker story I won't get beyond the first sentence. It's better to put no pressure on it. What would happen if I followed the previous sentence with this one, I'll think. If the eighth draft is torture, the first should be fun. At least if you're writing humor.
I am violently untidy. My desk is overcrowded. I write my first drafts in longhand in a long notebook using a plastic throwaway fountain pen. Then I work on a word processor using a different desk and a different room.
I was having the surreal experience of having myself show myself around my office and bullpen.” “Oh! My desk. I could’ve sat at my desk. I could’ve sat at your desk.” “No.” “It’s a vid set.” “Even then, no.
A book calls for pen, ink, and a writing desk; today the rule is that pen, ink, and a writing desk call for a book.
I'm always writing, even when I'm not at my desk. I write on my hands. I used to write on my kids' hands, too, but they don't let me any more. When I'm driving I sometimes write all the way up my arms.
I'm always writing, even when I'm not at my desk. I write on my hands. I used to write on my kids' hands, too, but they don't let me any more. When I'm driving I sometimes write all the way up my arms.
My brother Max made my desk. It's a masterpiece, like a piano. Everybody who comes in my office loves my desk.
A clean desk is a sign of a cluttered desk drawer.
You can't reinvent the wheel. I remember when we first started out at 'Late Night,' we were trying to hire directors, and this guy was like, 'I see you behind a glass desk.' I don't. And he's like, 'Yeah, the glass desk.' I go, 'I don't really see me as a glass desk guy.'
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