A Quote by Victoria Aveyard
World-building is my favorite pastime, so with me, I'm always about reining myself in. I don't want to lose too much of the mystery by hammering every detail to death. I did fiddle with lots of maps for 'Glass Sword,' as the second installment sees Mare, Cal and company traveling throughout their country, and that's always fun for me.
Related Quotes
World-building is my favorite pastime, so with me, I'm always about reining myself in.
I don't want to lose too much of the mystery by hammering every detail to death.
Maven is very much a haunting presence in 'Glass Sword.' His influence is everywhere, and he dogs Mare and Cal like no other. He's my favorite character to write because he's so complex, but also because he affects everyone else so deeply. He's kind of like the source of gravity. Everyone moves around him and what he's done.
My favorite part about Mare Barrow is her almost selfish survival instinct, as well as her increasingly gray morality. Her character arc in 'Glass Sword' is a lot deeper and more emotional than before, so I'm glad I got to write this sequel and that people want to read it.
When I'm traveling on tour, one of my favorite things to do is to throw a baseball cap on and go to a Target. The company has always been good to me. They've got such a great creative team.
I can’t worry too much about the everyday things. Otherwise I’d lose touch with my own world, that helps me as an artist, but it’s frustrating for the people around me. I’m vaguely functional, but there’s always something slightly off.
When I take on a character, it's a sacrifice. There's something that you give up every time. I want to become these characters, and I want to be mysterious, but if you know too much about me, it's not going to be too much fun watching me play a character, because it's just going to be me with a mask on, instead of you believing what the mask is.
But the humans weren't what made my steps falter as I walked through grass that had turned bright green with summer's touch. It was Dimitri. Always Dimitri. Dimitri, the man I loved. Dimitri, the Strigoi I wanted to save. Dimitri, the monster I'd most likely have to kill. The love we'd shared always burned within me, no matter how often I told myself to move on, no matter how much the world did think I'd move on. He was always with me, always on my mind, always making me question myself.
The world always looks straights ahead; as for me, I turn my gaze inward, I fix it there and keep it busy. Everyone looks in front of him: as for me, I look inside me: I have no business but with myself; I continually observe myself, I take stock of myself, I taste myself. Others...they always go forward; as for me, I roll about in myself.
My mum has always said I am too hard on myself. But I have always been like that and it has always helped me. After matches I focus only on what I did wrong. Never what I did well.
My theory as to why I first became a comedian is that my mother was always keenest on my younger brother, Dan. It doesn't bother me now, but it did then and the way I compensated for that was to publicise myself as myself - to tell people who I was in 100 per cent detail, going into every crevice of my life.
My mom is big on moisturizer and water. She always reminds me to drink a lot of water and wear sunglasses because I always forget them when I go out, even though they are one of my favorite accessories. She always reminds me about wrinkles, and always did, so it's kind of been ingrained into me.
I always considered myself bi-racial, because I didn't want to disconnect from either side, and I felt very strongly about that. Now, I understand that the world sees me as a black woman, a person of color, and I'm okay with that.
Lots of the bands [in New Orleans] couldn't read too much music. So they used a fiddle to play the lead - a fiddle player could read - and that was to give them some protection.
Because You have called me here not to wear a label by which I can recognize myself and place myself in some kind of a category. You do not want me to be thinking about what I am, but about what You are. Or rather, You do not even want me to be thinking about anything much: for You would raise me above the level of thought. And if I am always trying to figure out what I am and where I am and why I am, how will that work be done?
There's always so much energy from me and my band. Lots of fun and twists in each song.
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