A Quote by Vin Scully

All my life I've worked and I was so lucky to go from a radio station in Washington to the Dodgers and of course, it never stopped. For me to suddenly put the key in the ignition and turn the engine off, it's kind of a frightening thought. I put the key in and left it there, God willing, for another year.
The real beauty of it - key to my life was playing key chords on a banjo. For somebody else it may be a golf club that mom and dad put in their hands or a baseball or ballet lessons. Real gift to give to me and put it in writing.
For me, the key is years of the blessed filmmakers I've worked with giving me permission to be bold and jump off cliffs and to be boundaryless. I would put David Lynch at the top of that list.
I thrive on change. That's probably why my chord changes are weird, because chords depict emotions. They'll be going along on one key and I'll drop off a cliff, and suddenly they will go into a whole other key signature. That will drive some people crazy, but that's how my life is.
The longest journey begins with a single step, not with a turn of the ignition key.
I put off writing the first Left Behind book for a year because I got invited to assist Billy Graham in his memoirs, and had we known what we were putting off for a year, we might not have put it off.
I know about having days off. They can be helpful sometimes, especially late in the year. It's just key to go out there and establish early, especially in this park where they can put up some crooked numbers early.
There's something that happens where you go, if you're lucky, goodness me, from film to another film to another film. And you can sort of feel that if you step off that treadmill, it might all go horribly wrong and you might never be employed again, you know. And I suddenly thought that that's not necessarily the case. And I also thought we make drama as actors about people in the world and that if you are on that treadmill, you start making films about other films.
It's one thing when you're driving to go play at a radio station and you hear it on that station. It's another thing when you're just out in the middle of nowhere, and the song just comes on the radio, and you're like "Oh my God!"
I never had any thought the whole week. I figured my caddie [Jerry Beard] knew the course a lot better than me, so I put out my hand and played whatever club he put in it. I'd say, "How hard do I hit it?" He'd tell me and I'd swing. The guys who come down here once a year and try to get smart with Mr. Jones' course are the dumb ones.
The key to the 99 is the one. Or, put another way, the key to the group is the one individual. Think about the one, talk to the one, regard the one, serve the one. If you are sincere and constant, you will discover that gradually your influence with the many will be magnified.
My favourite example of good technology is the automobile. I travel all over the world and if I want to drive a car anywhere, I get in and put the key in the ignition, shift out of park and drive. I don't need an instruction manual.
He left the key in the ignition. No one was likely to come up here and steal the truck- and if anyone did... well, he could deal with Charles
Why is it when you turn on the TV you see ads for telephone companies, and when you turn on the radio you hear ads for TV shows, and when you get put on hold on the phone you hear a radio station?
There, gleaming in the glow, was that ten-horsepower rotary engine under a seat. A key glistening in the ignition. I imagine the top speed for that old mower was five miles per hour. It might have taken an hour and a half or more for me to get to the liquor store, but get there I did.
It's a real message. Snapchat has put an antenna [on me] and the whole world has got to see me. You either like it or you don't. I've been blessed with people that like it. Again, I'm just being me. The key is to always be you. That's the key.
I wrote 'Turn Your Radio On' in 1937, and it was published in 1938. At this time radio was relatively new to the rural people, especially gospel music programs. I had become alert to the necessity of creating song titles, themes, and plots, and frequently people would call me and say, 'Turn your radio on, Albert, they're singing one of your songs on such-and-such a station.' It finally dawned on me to use their quote, 'Turn your radio on,' as a theme for a religious originated song, and this was the beginning of 'Turn Your Radio On' as we know it.
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