A Quote by Veena Sud
I heard John Wells say something really smart, many years ago. He said, "Assume your audience is really intelligent. Assume that they are really smart, and tell your story that way." So, for me, it's about never assuming that they will go away because they're not entertained.
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You could tell three things about Bill Gates pretty quickly. He was really smart. He was really competitive; he wanted to show you how smart he was. And he was really, really persistent.
I think most teen comedies are probably played in a way that aren't geared towards people that are wanting to be entertained but also [see] something that has a lot of heart to it. The things we do in the movie - it has a lot of heart, and also it's really smart. The people and the characters that we are, we're really intelligent people that are using our tactics to get back at a guy. The moral of being who you are, and trusting yourself, finding your inner strength - I think that's something that most teen movies don't really dial into.
Really smart people don't want to say stupid things, and they really don't want to be a part of a PR-engineered interview. People really do want to be smart, and they want smart questions. So, if you ask smart questions, there's no way you can't do well.
One of the worst things anybody can do is assume. I think fools assume. If people have really got it together, they never assume anything. They believe, they work hard, and they prepare- but they don't assume.
There are a lot of smart creatures out there. Dolphins, elephants, and whales are smart. And there are some really smart birds. I know some really intelligent fish. But they cannot know what humans know and are incapable of inflicting as much damage.
There are a lot of smart people being really thoughtful and writing really interesting things, but that isn't what I want to do. It's never felt like what I've been called to do. And I have to risk sounding really arrogant when I say that because I've gone to Ivy League schools and been privileged in all these ways in the world of ideas, but I'm not as smart as you think. I'm not really depending on what I learned in college to write my books. Those were just parts of my life experience.
Fred Jr. Trump was great. He was the most handsome person. He was a really smart guy, really, really smart guy. He had everything. But at a certain age he started drinking a little more, a little more, and ultimately it was a big problem, and he'd say don't ever, ever drink. And I'll tell what you, I never - I have never had a glass of alcohol.
I was sent this thing called 10 Things I Hate About You, which I thought was really sweet and female-centric and kind of cute and smart, with a really smart script. So I auditioned for it and got it, and I'm really glad I did, because the movie has a life of its own.
Surround yourself with smart, dedicated people - to build something isn't a one-man show. It's more important to have smart people who really believe in what you're doing than really experienced people who may not share your dream.
If I had a daughter, I would tell her certain things. I would tell her that it’s great to be smart, really smart - that being smart makes you strong. I would tell her that emotions are powerful, so don’t be afraid to show them. I would tell her that some people may judge you on how you look or what you wear - that’s just how it is - but you should keep your focus on what you say and do. I would tell her that she may see the world differently from boys, and that difference is essential and good.
Whenever I’m about to have sex with a girl, I play it smart and just automatically assume she has herpes; because that way I don’t have to tell her about my herpes.
In my mind I'm like, "No, Katherine Johnson it was you. It was your mind alone that got John Glenn to orbit the earth." He didn't say, "Go get so in so." He said, "Go get that smart girl." But that fact that that she sees the "we" in "I," blew me away.
My mind goes really quickly and I tend to talk really fast, as you've probably heard, I sometimes lose track of my syntax, as I'm talking that fast. The only thing I try to do, well, it's slow down, but also I do something when I'm reading that's similar to when I'm writing a section, which is to really try to imagine you on the other side, in a certain way, as an intelligent, sympathetic presence who's rooting for me to tell you a good story.
We read novels. We read hundreds of pages of words, when the story is good because we're willing to stay there. I hope the story is good. I'm going into this venture thinking that the audience is really smart and really wants to hear all the nuances of what we're saying.
So many interviews, even ones that I consider really intelligent and good writers, will do the, like, 'Oh, you're not taking your clothes off like Miley Cyrus and all these girls' thing, which to me is just the weirdest thing to say to someone. ... Now when people are like, 'Tell me what you think of Miley!' I'll say, 'What do you think of Miley?' and they'll flounder and say, 'Well, I think she's really talented...' and I'm like, there you go.
When you assume negative intent, you're angry. If you take away that anger and assume positive intent, you will be amazed. Your emotional quotient goes up because you are no longer almost random in your response.
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