A Quote by Vince Gilligan
For many decades - and this was reinforced by the broadcast networks' standards-and-practices department - bad guys on TV had to get their comeuppance, and good guys had to be brave and true and unconflicted. Those were the laws of the business.
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Many intellectuals in America and in Europe, they are in the habit of taking sides: who are the bad guys? who are the good guys? They launch a demonstration against the bad guys, sign a petition in favor of the good guys, and going to sleep feeling well about themselves.
Audiences like to see the bad guys get their comeuppance.
I always tried to play the bad guys as guys who didn't know they were bad guys. There are villains we run into all the time, but they don't think they are doing anything wrong. If they do, they think they are cunning and smart. When people break laws and ethical rules, they justify it in their own terms.
Many intellectuals in America and in Europe, they are in the habit of taking sides: who are the bad guys? who are the good guys? They launch a demonstration against the bad guys, sign a petition in favor of the good guys, and going to sleep feeling well about themselves. This is not the case here. The Israeli-Palestinian conflict is a tragedy; it is a clash between right and right.
You don't see many bad guys fight amongst themselves. Bad guys always know exactly who they are and what they want. Good guys are the ones who are a little confused about their identities.
I've never seen a Western that was really truthful. Most are just morality plays. Good guys and bad guys - and the good guys always win, whereas in reality, most of the sheriffs were as bad as the gangsters they were after.
I've never seen a Western that was really truthful. Most are just morality plays. Good guys and bad guys - and the good guys always win, whereas in reality most of the sheriffs were as bad as the gangsters they were after.
What makes 'The Wire' a beautiful story is how true to life it is. In other shows, you have a good guy and a bad guy. In 'The Wire,' bad guys are trying to be good, good guys are doing bad. You have real life. The people who do bad get bad things done to them.
The group of guys I came up with in the 1990s were very innovative. I remember some of the older guys were complaining about how the music had changed, and they were being left behind. I didn't want to be one of those guys who sat around and complained because they weren't growing and evolving.
Anyone who grew up in the crack era - you know, I grew up in that era - knew that there were also people out - and there are still guys to this day that are out there, you know, obviously drug dealing - but those were the guys who had access and had money. And some of those guys felt responsible to create opportunity for other people and were also aware of the dangers of their work and often aren't really the ones that are encouraging kids to get into drug dealing.
You know, the best-laid plans of mice and men... I like playing bad guys, and I don't have a problem doing that. They're interesting characters, and there's as many different kinds of bad guys as there are good guys - they're rich, they're strong, they're powerful, and so that's fine with me.
I knew some people at my school who were squatters, and my younger brother was a squatter. I knew those guys: those were the people who said the Russians were the good guys and the Americans were bad. But I was the guy who went to the disco.
The older I get the more I realize there's no real good guys or real bad guys, and I'm curious about how the good guys got good and how the bad guys got bad.
Scoring, that's my thing... Didier Drogba, Samuel Eto'o, those were the guys that we looked at as kids like, 'Man, they're doing it, and they're doing it at a high level.' We would see them on TV. So, it wasn't much about basketball, to be honest, it was just those type of athletes. Those guys were the guys that we looked at as kids.
A boxing match is like a cowboy movie. There's got to be good guys and there's got to be bad guys. And that's what people pay for - to see the bad guys get beat.
Acting is primarily is where I want to go. But seeing how the visual effects guys work, and the special effects guys and the art department guys, how they work and seeing their visions is really interesting. I don't think those guys get the recognition they deserve.
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