A Quote by Vince Gilligan

The sad truth is, there's more Walter White in me than I'd care to admit, because if I truly was as kind as people think I am, I wouldn't be able to write Walter White.
I mean, I love Walter White.
Eleanor Roosevelt fights for an anti-lynch law with the NAACP, with Walter White and Mary McLeod Bethune. And she begs FDR to say one word, say one word to prevent a filibuster or to end a filibuster. From '34 to '35 to '36 to '37 to '38, it comes up again and again, and FDR doesn't say one word. And the correspondence between them that we have, I mean, she says, "I cannot believe you're not going to say one word." And she writes to Walter White, "I've asked FDR to say one word. Perhaps he will." But he doesn't. And these become very bitter disagreements.
When you're a person of color in white America, you know white people. You know why you know white people? Because you can't enjoy any kind of entertainment if you are not able to humanize white people. If you watch a film and are like, "Oh, this has white people in it? Then I'm not interested," then you can't enjoy anything in America!
For 'Breaking Bad,' people were with Walter White for 99% of that show, even though that guy is a monster.
The reason I like 'Breaking Bad,' which is still probably my favorite show, is Walter White. You watch him transform, and that's so fascinating. And I think. a lot of TV shows that aren't successful, it's because the characters become stagnant.
[Walter White] was also one of the best lobbyist of the period.
I'd like to play Walter White, but I guess that's been done.
I had a great deal of independence from the president and the White House during the entirety of my five years. And I'm not sure exactly what that is, but our friend, Walter Dellinger, has a theory about it, and I think he's probably right. And the theory starts with the fact that I worked in the White House for a year and a half before coming over to the position of SG. And because of that, when I was nominated, there was some chatter out there that, "Oh. They're putting a political hack in. This has never happened before."
The people want to know is Walter straight, homosexual, metrosexual, bisexual - I don't care. Here I am, I am who I am, that's it.
I've played a bunch of different versions of Walter [from "Fringe"]... I loved it when he was being random, which was probably the original version of him, more than anyone else. I loved doing Walter then, and all of the different mental states that we've played.
The ebulliently sharp mind of 'White Christmas' director Walter Bobbie made me tremble and strive in the same breath. The deceptively 'simple' dialogue of David Ives, asking every actor to just. say. it. Float it on the breeze; it doesn't need 'explanation,' just energy and truth.
We all put on faces, as Walter White does. We put on faces when we meet our friends, when we meet new people, when we present ourselves in interviews. We try to be who the people we meet want us to be, or who we want to truly be.
Sometimes people say, 'Walter, you are egocentric or narcissistic.' No matter how much money it costs, I always say, 'You have to be radiant. You have to be Walter.'
When I went to the Association [ National Association for the Advancement of Colored People] I learned a few things by observation. One of the things that used to strike me was [Walter White] need to impress people, even just people who came into the office.
I have a rescue dog named Walter, and Walter and I are such fans of the 'Jersey Shore' that we changed his name to DJ Wally D.
One of the particular things that impressed me was one visitor [of NAACP] - I think it was - it wasn't the Prime Minister of England. We were located then on 14th Street and Fifth Avenue, up several flights of rickety stairs, and he came all the way up those stairs to see Walter [White], largely because of certain kinds of impact, I think, that the Association seemingly was having.
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