A Quote by Vincent Canby

The only remarkable thing about Francis Ford Coppola's The Godfather, Part II is the insistent manner in which it recalls how much better his original film was. Even if Part II were a lot more cohesive, revealing and exciting than it is, it probably would have run the risk of appearing to be the self-parody it now seems…Its insights are fairly lame at this point.
I grew up on film sets and I had a ball. It wouldn't have had nearly as much fun if my dad had been working behind a desk somewhere. I remember being on the set of 'The Godfather: Part III,' and all the kids were running around and doing crazy things, and Francis Ford Coppola just embraced that.
Francis [Ford Coppola] was on the cover of Time Magazine for One From The Heart and for owning a studio, and he was fresh off of Apocalypse [Now] and The Godfather films, so he was at the absolute top of his game and legend [in The Outsiders ].
Francis Ford Coppola didn't come out of the womb with The Godfather. He had a whole build up until he got to that point. I think it's okay to fail. That's how you learn. I think that's hopefully what people can take away from this movie.
I've seen 'The Godfather Part II,' 'Broadcast News,' and 'Annie Hall' more than 20 times each.
In the first week of the showings of the The Matrix Revolutions, The Godfather and The Godfather Part II played on cable television. I started watching, and I was held; I wanted to go through the process again. Can anyone credit that 30 years from now there will be an audience for the three parts of The Matrix, anywhere? Even if Keanu Reeves is our president by then?
Sure, you could go out and make Jaws today. But all of the sequels to Jaws weren't good. They are all worthless. The Godfather II is the only sequel that I have ever seen that is as good as or better than the original.
I don't say, 'Francis Ford Coppola, what a wonderful Italian-American director.' I judge him based on his film, his craft, his art. That's the way I feel I should be dealt with in this industry.
I was fortunate in the last century to be in the two biggest hits film-wise, 'Godfather I' and 'Godfather II,' and 'Lonesome Dove.'
I was fortunate in the last century to be in the two biggest hits film-wise, "Godfather I" and "Godfather II," and "Lonesome Dove".
I'd love to work with Francis Ford Coppola. I met Coppola on an airplane.
Usually if I find a film that's challenging, that I'm intrigued by, I want to watch it again knowing what the ending is. I found that with something like 'The Godfather Part II.' I think it took me three watches to fully experience it in the way it was intended.
We knew we were doing something that would make an impact, because of Francis [Ford Coppola], but I don't think we were surprised by how well the movie [The Outsiders] did, but I think we would all say we were surprised at how well we all did coming out of it.
Martin Scorcese is probably America's greatest living director, and while he is not a titan like John Ford or Alfred Hitchcock or Federico Fellini, he is certainly consistently more interesting than Steven Spielberg, Brian de Palma, Francis Ford Coppola or Woody Allen. Even a failure like Gangs of New York or a curiosity like The Aviator is more interesting and ambitious than Munich, The Black Dahlia or Scoop.
I have decided never ever to put on weight again. Not even if Francis Ford Coppola were to offer me a role in exchange for putting on 25 kilos!
I loved the Godfather. I thought that was the best interpretation of our life that Ive ever seen. Godfather I and Godfather II - the other one stunk.
Like I've known Francis [For Coppola] for so long I think, "Oh, Francis." And then you see his name on something with The Godfather, and you go, "Oh, yeah. He's also that." The person you knew of before you met the actual person.
This site uses cookies to ensure you get the best experience. More info...
Got it!