A Quote by Vincent Starrett

A yellow fog swirls past the window-pane As night descends upon the fabled street: A lonely hansom splashes through the rain, And ghostly gas lamps fail at twenty feet. Here though the world explode, these two survive, And it is always eighteen ninety-five.
I cannot live without brainwork. What else is there to live for? Stand at the window here. Was ever such a dreary, dismal, unprofitable world? See how the yellow fog swirls down the street and drifts across the duncoloured houses. What could be more hopelessly prosaic and material?
Your street, rich street or poor Used to always be sure, on your street There's a place in your heart you know from the start Can't be complete outside of the street Keep moving on through the joy and the pain Sometimes you got to look back To the street again Would you prefer all those castles in Spain? Or the view of your street from your window pane?
The yellow fog that rubs its back upon the window-panes The yellow smoke that rubs its muzzle on the window-panes Licked its tongue into the corners of the evening Lingered upon the pools that stand in drains Let fall upon its back the soot that falls from chimneys Slipped by the terrace, made a sudden leap And seeing that it was a soft October night Curled once about the house, and fell asleep
I looked to the window. Patch was gone, but a single black feather was pressed to the outer pane, held in place by last night's rain. Or Angel Magic
Even though I had a fantastic family, I always felt lonely - not lonely in the melancholic way but knowing that, to really survive, I have to do everything for myself. I had to work and study, and I was out in the street really surviving, bringing food back home.
A face at the window, a tap on the pane, who is it that wants me tonight in the rain?
The horse and mule live thirty years And never know of wine and beers. The goat and sheep at twenty die Without a taste of scotch or rye. The cow drinks water by the ton And at eighteen is mostly done. The dog at fifteen cashes in Without the aid of rum or gin. The modest, sober, bone-dry hen Lays eggs for noggs and dies at ten. But sinful, ginful, rum-soaked men Survive three-score years and ten. And some of us, though mighty few Stay pickled 'til we're ninety-two.
Even through the shut window pane, the world looked cold.
At two o'clock in the morning, if you open your window and listen, You will hear the feet of the Wind that is going to call the sun. And the trees in the Shadow rustle and the trees in the moonlight glisten, And though it is deep, dark night, you feel that the night is done.
There was only the broad square with the scattered dim moons of the street lamps and with the monumental stone arch which receded into the mist as though it would prop up the melancholy sky and protect beneath itself the faint lonely flame on the tomb of the Unknown Soldier, which looked like the last grave of mankind in the midst of night and loneliness.
Yes, at times in front of goal a fog descends. Perhaps the speed of my feet doesn't match up with that of my mind.
I think I missed my window." "What window?" "My get-a-life window. I think I was supposed to figure all this stuff out somewhere between twenty-two and twenty-six, and now it's too late.
When held up to the window pane, What fixed my baby stare? The glory of the glittering rain, And newness everywhere.
At a Dodger baseball game in Los Angeles, I asked Will Durant if he was ninety-four or ninety-five. "Ninety-four," he said. "You don't think I'd be doing anything as foolish as this if I were ninety-five, do you?"
A short time later, when the carpenter was taking measurements for the coffin, through the window they saw a light rain of tiny yellow flowers falling. They fell on the town all through the night in a silent storm, and they covered the roofs and blocked the doors and smothered the animals who slept outdoors. So many flowers fell from the sky that in the morning the streets were carpeted with a compact cushion and they had to clear them away with shovels and rakes so that the funeral procession could pass by.
One can imagine having a procedural rule that anything ambiguous should be treated as the Taj Mahal unless we see that it is labelled "fog". The motorist replies: "What sort of rule is this? Surely the best guarantee I can have that the fog is fog is if I fail to see the sign saying 'fog' because of the fog."
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